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Wanghong as social media entertainme...

Craig, David.

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Wanghong as social media entertainment in China

Record Type:	Electronic resources : Monograph/item
Title/Author:	Wanghong as social media entertainment in China/ by David Craig, Jian Lin, Stuart Cunningham.
Author:	Craig, David.
other author:	Cunningham, Stuart.
Published:	Cham :Springer International Publishing : : 2021.,
Description:	ix, 197 p. :ill., digital ;24 cm.
[NT 15003449]:	1 Introduction -- 2 Policy and Governance -- 3 Platforms -- 4 Creators -- 5 Culture -- 6 Global Wanghong.
Contained By:	Springer Nature eBook
Subject:	Internet personalities - China. -
Online resource:	https://doi.org/10.1007/978-3-030-65376-7
ISBN:	9783030653767

Wanghong as social media entertainment in China
Craig, David.

Wanghong as social media entertainment in China[electronic resource] /by David Craig, Jian Lin, Stuart Cunningham. - Cham :Springer International Publishing :2021. - ix, 197 p. :ill., digital ;24 cm. - Palgrave studies in globalization, culture and society,2730-9282. - Palgrave studies in globalization, culture and society..

1 Introduction -- 2 Policy and Governance -- 3 Platforms -- 4 Creators -- 5 Culture -- 6 Global Wanghong.

"Wanghong as Social Media Entertainment in China is the very first academic book that systematically theorizes the phenomenon of internet celebrification in China's changing cultural economy." - Professor Anthony Fung, The Chinese University of Hong Kong "Wanghong as Social Media Entertainment in China unravels the multi-layered ecosystem of intermediaries that is reshaping communication in the world's biggest media market." - Professor Michael Keane, Curtin University "This book offers a systematic and comprehensive analysis of China's social media entertainment industries through cultural, creative and social perspectives." - Associate Professor Haiqing Yu, RMIT University In Chinese, the term wanghong refers to creators, social media entrepreneurs alternatively known as KOLs (key opinion leaders) and zhubo (showroom hosts), influencers and micro-celebrities. Wanghong also refers to an emerging media ecology in which these creators cultivate online communities for cultural and commercial value by harnessing Chinese social media platforms, like Weibo, WeChat, Douyu, Huya, Bilibili, Douyin, and Kuaishuo. Framed by the concepts of cultural, creative, and social industries, the book maps the development of wanghong policies and platforms, labor and management, content and culture, as they operate in contrast to its non-Chinese counterpart, social media entertainment, driven by platforms like YouTube, Facebook, Instagram, and Twitch. As evidenced by the backlash to TikTok, the threat of competition from global wanghong signals advancing platform nationalism.

ISBN: 9783030653767

Standard No.: 10.1007/978-3-030-65376-7doiSubjects--Topical Terms:

3491540
Internet personalities
--China.

LC Class. No.: HN740.Z9 / C73 2021

Dewey Class. No.: 302.2310951

Wanghong as social media entertainment in China
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505 0 $a 1 Introduction -- 2 Policy and Governance -- 3 Platforms -- 4 Creators -- 5 Culture -- 6 Global Wanghong.
520 $a "Wanghong as Social Media Entertainment in China is the very first academic book that systematically theorizes the phenomenon of internet celebrification in China's changing cultural economy." - Professor Anthony Fung, The Chinese University of Hong Kong "Wanghong as Social Media Entertainment in China unravels the multi-layered ecosystem of intermediaries that is reshaping communication in the world's biggest media market." - Professor Michael Keane, Curtin University "This book offers a systematic and comprehensive analysis of China's social media entertainment industries through cultural, creative and social perspectives." - Associate Professor Haiqing Yu, RMIT University In Chinese, the term wanghong refers to creators, social media entrepreneurs alternatively known as KOLs (key opinion leaders) and zhubo (showroom hosts), influencers and micro-celebrities. Wanghong also refers to an emerging media ecology in which these creators cultivate online communities for cultural and commercial value by harnessing Chinese social media platforms, like Weibo, WeChat, Douyu, Huya, Bilibili, Douyin, and Kuaishuo. Framed by the concepts of cultural, creative, and social industries, the book maps the development of wanghong policies and platforms, labor and management, content and culture, as they operate in contrast to its non-Chinese counterpart, social media entertainment, driven by platforms like YouTube, Facebook, Instagram, and Twitch. As evidenced by the backlash to TikTok, the threat of competition from global wanghong signals advancing platform nationalism.
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