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Music in the baroque era : = from Mo...

Bukofzer, Manfred F., (1910-1955,)

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Music in the baroque era : = from Monteverdi to Bach /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Music in the baroque era :/ by Manfred F. Bukofzer.
其他題名:	from Monteverdi to Bach /
作者:	Bukofzer, Manfred F.,
面頁冊數:	xv, 489 pages, 12 numbered pages of plates :illustrations, portraits, facsimiles, music ;24 cm
內容註:	Chapter 1 : Renaissance versus Baroque music. Disintegration of stylistic unity ; Stylistic comparison between Renaissance and Baroque music ; The phases of Baroque music -- Chapter 2 : Early Baroque in Italy. The beginnings of the concerto style : Gabrieli ; The monody : Peri and Caccini ; Transformation of the madrigal : Monteverdi ; The influence of the dance on vocal music ; Emancipation of instrumental music : Frescobaldi ; The rise of the opera : Monteverdi ; Tradition and progress in sacred music -- Chapter 3 : Early and middle Baroque in the northern countries. The Netherlands school and its English background ; English antecedents : the abstract instrumental style ; The Netherlands: Sweelinck ; Germany and Austria in the 17th century ; Chorale and devotional song ; Chorale motet and choral concertato : Schein ; The dramatic concertato : Schütz ; Continuo Lied, opera and oratorio ; Instrumental music : Scheidt, Froberger, and Biber -- Chapter 4 : Italian music of the middle Baroque. The bel-canto style ; The chamber cantata : Luigi Rossi and Carissimi ; The oratorio : Carissimi and Stradella ; The Venetian opera school ; Instrumental music : the Bologna school -- Chapter 5 : French music under absolutism. The ballet de cour ; French reactions to Italian opera ; Comédie-ballet and the tragédie lyrique : Lully ; Cantata, oratorio, and church music ; Lute miniatures and keyboard music : Gaultier and Chambonnières ; Music in the Iberian peninsula, New Spain, and Colonial America -- Chapter 6 : English music during the commonwealth and restoration. The masque and the English opera : Lawes and Blow ; Consort music : Jenkins and Simpson ; Anglican church music : Porter, Humfrey, and Blow ; Henry Purcell, the Restoration genius --
內容註:	Chapter 7 : Late Baroque : luxuriant counterpoint and concerto style. The culmination of late Baroque music in Italy ; The rise of tonality ; Concerto grosso and solo concerto ; Ensemble sonata and solo sonata ; Opera seria and opera buffa : cantata and sacred music ; Late Baroque and Rococo style in France ; Ensemble and clavecin music ; Opera and cantata in France -- Chapter 8 : Fusion of national styles : Bach. The state of instrumental music in Germany before Bach ; The state of protestant church music before Bach ; Bach : the early period ; Bach the organist : Weimar ; Bach the mentor : Cöthen ; Bach the cantor : Lepzig ; Bach, the past master -- Chapter 9 : Coordination of national styles : Handel. The state of secular vocal music in Germany before Handel ; Handel : German apprentice period ; Italian journeyman period ; English master period : operas, oratorios, instrumental music ; Bach and Handel, a comparison -- Chapter 10 : Form in Baroque music. Formal principles and formal schemes ; Style and form ; Audible and inaudible order -- Chapter 11 : Musical thought of the Baroque era. Code of performance : composer and performer ; Theory and practice of composition ; Musical speculation -- Chapter 12 : Sociology of Baroque music. Courtly musical institutions of state and church : private patronage ; Civic musical institutions : collective patronage ; Social and economic aspects of music and musicians.
標題:	Music - History and criticism. - 17th century -
ISBN:	0393097455

Music in the baroque era : = from Monteverdi to Bach /
Bukofzer, Manfred F.,1910-1955,

Music in the baroque era :from Monteverdi to Bach /by Manfred F. Bukofzer. - xv, 489 pages, 12 numbered pages of plates :illustrations, portraits, facsimiles, music ;24 cm

Includes bibliographical references (pages 417-469).

Chapter 1 : Renaissance versus Baroque music. Disintegration of stylistic unity ; Stylistic comparison between Renaissance and Baroque music ; The phases of Baroque music -- Chapter 2 : Early Baroque in Italy. The beginnings of the concerto style : Gabrieli ; The monody : Peri and Caccini ; Transformation of the madrigal : Monteverdi ; The influence of the dance on vocal music ; Emancipation of instrumental music : Frescobaldi ; The rise of the opera : Monteverdi ; Tradition and progress in sacred music -- Chapter 3 : Early and middle Baroque in the northern countries. The Netherlands school and its English background ; English antecedents : the abstract instrumental style ; The Netherlands: Sweelinck ; Germany and Austria in the 17th century ; Chorale and devotional song ; Chorale motet and choral concertato : Schein ; The dramatic concertato : Schütz ; Continuo Lied, opera and oratorio ; Instrumental music : Scheidt, Froberger, and Biber -- Chapter 4 : Italian music of the middle Baroque. The bel-canto style ; The chamber cantata : Luigi Rossi and Carissimi ; The oratorio : Carissimi and Stradella ; The Venetian opera school ; Instrumental music : the Bologna school -- Chapter 5 : French music under absolutism. The ballet de cour ; French reactions to Italian opera ; Comédie-ballet and the tragédie lyrique : Lully ; Cantata, oratorio, and church music ; Lute miniatures and keyboard music : Gaultier and Chambonnières ; Music in the Iberian peninsula, New Spain, and Colonial America -- Chapter 6 : English music during the commonwealth and restoration. The masque and the English opera : Lawes and Blow ; Consort music : Jenkins and Simpson ; Anglican church music : Porter, Humfrey, and Blow ; Henry Purcell, the Restoration genius --

This history of the music of the Baroque Era in Europe--roughly, from the 17th century through the first half of the 18th--covers the entire field, from Monteverdi and Schütz at its inception to the great works of Bach and Handel.--Adapted from publisher description.

ISBN: 0393097455

LCCN: 47012355Subjects--Topical Terms:

603365
Music
--History and criticism.--17th centuryIndex Terms--Genre/Form:

2020027
Criticism, interpretation, etc.

LC Class. No.: ML193 / .B8

Dewey Class. No.: 780.903

Music in the baroque era : = from Monteverdi to Bach /
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100 1 $a Bukofzer, Manfred F., $d 1910-1955, $0 http://id.loc.gov/authorities/names/n87808963 $e author. $3 3485365
245 1 0 $a Music in the baroque era : $b from Monteverdi to Bach / $c by Manfred F. Bukofzer.
264 # 1 $a New York : $b W.W. Norton & Company, $c [1947]
300 $a xv, 489 pages, 12 numbered pages of plates : $b illustrations, portraits, facsimiles, music ; $c 24 cm
336 $a text $b txt $2 rdacontent
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504 $a Includes bibliographical references (pages 417-469).
505 0 # $a Chapter 1 : Renaissance versus Baroque music. Disintegration of stylistic unity ; Stylistic comparison between Renaissance and Baroque music ; The phases of Baroque music -- Chapter 2 : Early Baroque in Italy. The beginnings of the concerto style : Gabrieli ; The monody : Peri and Caccini ; Transformation of the madrigal : Monteverdi ; The influence of the dance on vocal music ; Emancipation of instrumental music : Frescobaldi ; The rise of the opera : Monteverdi ; Tradition and progress in sacred music -- Chapter 3 : Early and middle Baroque in the northern countries. The Netherlands school and its English background ; English antecedents : the abstract instrumental style ; The Netherlands: Sweelinck ; Germany and Austria in the 17th century ; Chorale and devotional song ; Chorale motet and choral concertato : Schein ; The dramatic concertato : Schütz ; Continuo Lied, opera and oratorio ; Instrumental music : Scheidt, Froberger, and Biber -- Chapter 4 : Italian music of the middle Baroque. The bel-canto style ; The chamber cantata : Luigi Rossi and Carissimi ; The oratorio : Carissimi and Stradella ; The Venetian opera school ; Instrumental music : the Bologna school -- Chapter 5 : French music under absolutism. The ballet de cour ; French reactions to Italian opera ; Comédie-ballet and the tragédie lyrique : Lully ; Cantata, oratorio, and church music ; Lute miniatures and keyboard music : Gaultier and Chambonnières ; Music in the Iberian peninsula, New Spain, and Colonial America -- Chapter 6 : English music during the commonwealth and restoration. The masque and the English opera : Lawes and Blow ; Consort music : Jenkins and Simpson ; Anglican church music : Porter, Humfrey, and Blow ; Henry Purcell, the Restoration genius --
505 0 # $a Chapter 7 : Late Baroque : luxuriant counterpoint and concerto style. The culmination of late Baroque music in Italy ; The rise of tonality ; Concerto grosso and solo concerto ; Ensemble sonata and solo sonata ; Opera seria and opera buffa : cantata and sacred music ; Late Baroque and Rococo style in France ; Ensemble and clavecin music ; Opera and cantata in France -- Chapter 8 : Fusion of national styles : Bach. The state of instrumental music in Germany before Bach ; The state of protestant church music before Bach ; Bach : the early period ; Bach the organist : Weimar ; Bach the mentor : Cöthen ; Bach the cantor : Lepzig ; Bach, the past master -- Chapter 9 : Coordination of national styles : Handel. The state of secular vocal music in Germany before Handel ; Handel : German apprentice period ; Italian journeyman period ; English master period : operas, oratorios, instrumental music ; Bach and Handel, a comparison -- Chapter 10 : Form in Baroque music. Formal principles and formal schemes ; Style and form ; Audible and inaudible order -- Chapter 11 : Musical thought of the Baroque era. Code of performance : composer and performer ; Theory and practice of composition ; Musical speculation -- Chapter 12 : Sociology of Baroque music. Courtly musical institutions of state and church : private patronage ; Civic musical institutions : collective patronage ; Social and economic aspects of music and musicians.
520 # $a This history of the music of the Baroque Era in Europe--roughly, from the 17th century through the first half of the 18th--covers the entire field, from Monteverdi and Schütz at its inception to the great works of Bach and Handel.--Adapted from publisher description.
650 # 0 $a Music $y 17th century $x History and criticism. $3 603365
650 # 0 $a Music $y 18th century $x History and criticism. $3 603362
650 # 4 $a Musica $y Sec. XVII $x Storia e critica. $3 3485366
650 # 4 $a Musica $y Sec. XVIII $x Storia e critica. $3 3485367
655 # 7 $a Criticism, interpretation, etc. $2 fast $3 2020027