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Lutheranism, anti-Judaism, and Bach'...

Marissen, Michael.

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Lutheranism, anti-Judaism, and Bach's St. John Passion : = with an annotated literal translation of the libretto /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Lutheranism, anti-Judaism, and Bach's St. John Passion :/ Michael Marissen.
其他題名:	with an annotated literal translation of the libretto /
作者:	Marissen, Michael.
其他作者:	Bach, Johann Sebastian,
出版者:	New York :Oxford University Press, : c1998.,
面頁冊數:	xii, 109 p. ;24 cm.
內容註:	Issues of method -- Bach's duties -- Lutheranism and theories of atonement -- Following Jesus, according to the St. John Passion. Who is Jesus? ; Faith and discipleship ; Theology of the cross -- Lutheran concepts of Jews and Judaism. The Gospel of John ; Luther's polemics ; Luther and Hitler ; Luther on Jews as "Christ killers" -- Jew-hatred and the St. John Passion. Olearius and Brockes ; Musical repetition and symmetry ; Who crucified Jesus? -- Where now? -- Annotated literal translation fo the libretto -- Appendix 1 : Notes on anti-Judaism and Bach's other works -- Appendix 2 : Musical examples.
標題:	Judaism - Relations -
ISBN:	9780195114713

Lutheranism, anti-Judaism, and Bach's St. John Passion : = with an annotated literal translation of the libretto /
Marissen, Michael.

Lutheranism, anti-Judaism, and Bach's St. John Passion :with an annotated literal translation of the libretto /Michael Marissen. - New York :Oxford University Press,c1998. - xii, 109 p. ;24 cm.

Includes discography (p. 77), bibliographical references (p. 87-98) , and indexes.

Issues of method -- Bach's duties -- Lutheranism and theories of atonement -- Following Jesus, according to the St. John Passion. Who is Jesus? ; Faith and discipleship ; Theology of the cross -- Lutheran concepts of Jews and Judaism. The Gospel of John ; Luther's polemics ; Luther and Hitler ; Luther on Jews as "Christ killers" -- Jew-hatred and the St. John Passion. Olearius and Brockes ; Musical repetition and symmetry ; Who crucified Jesus? -- Where now? -- Annotated literal translation fo the libretto -- Appendix 1 : Notes on anti-Judaism and Bach's other works -- Appendix 2 : Musical examples.

Bach's St. John Passion is surely one of the monuments of Western music, yet performances have become inevitably controversial. In large part, this is the result of the combination of powerful, highly emotional music coupled with a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day, and what does it mean today? Although the bibliographies on Bach and on Judaism have grown enormously since World War II, there has been very little work on the relationships between these two areas. This is hardly surprising; writers focusing on issues of anti-Semitism often lack musical training and are, in any event, interested in more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. And strangely, almost no scholarly attention has been given to the relationships between Lutheranism and Judaism as they affect the St. John Passion. Through a reappraisal of Bach's work and its contexts, Michael Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for more informed and sensitive discussions of this troubling work.

ISBN: 9780195114713US69.00Subjects--Personal Names:

794436
Jesus Christ
--PassionSubjects--Uniform Titles:

Bible.
German--John, XVIII-XIX.--VersionsSubjects--Topical Terms:

794438
Judaism
--Relations

LC Class. No.: ML410.B13 / M26 1998

Dewey Class. No.: 782.23

Lutheranism, anti-Judaism, and Bach's St. John Passion : = with an annotated literal translation of the libretto /
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050 # 4 $a ML410.B13 $b M26 1998
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100 1 $a Marissen, Michael. $3 794435
245 1 0 $a Lutheranism, anti-Judaism, and Bach's St. John Passion : $b with an annotated literal translation of the libretto / $c Michael Marissen.
260 # $a New York : $b Oxford University Press, $c c1998.
300 $a xii, 109 p. ; $c 24 cm.
504 $a Includes discography (p. 77), bibliographical references (p. 87-98) , and indexes.
505 0 # $a Issues of method -- Bach's duties -- Lutheranism and theories of atonement -- Following Jesus, according to the St. John Passion. Who is Jesus? ; Faith and discipleship ; Theology of the cross -- Lutheran concepts of Jews and Judaism. The Gospel of John ; Luther's polemics ; Luther and Hitler ; Luther on Jews as "Christ killers" -- Jew-hatred and the St. John Passion. Olearius and Brockes ; Musical repetition and symmetry ; Who crucified Jesus? -- Where now? -- Annotated literal translation fo the libretto -- Appendix 1 : Notes on anti-Judaism and Bach's other works -- Appendix 2 : Musical examples.
520 # $a Bach's St. John Passion is surely one of the monuments of Western music, yet performances have become inevitably controversial. In large part, this is the result of the combination of powerful, highly emotional music coupled with a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day, and what does it mean today? Although the bibliographies on Bach and on Judaism have grown enormously since World War II, there has been very little work on the relationships between these two areas. This is hardly surprising; writers focusing on issues of anti-Semitism often lack musical training and are, in any event, interested in more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. And strangely, almost no scholarly attention has been given to the relationships between Lutheranism and Judaism as they affect the St. John Passion. Through a reappraisal of Bach's work and its contexts, Michael Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for more informed and sensitive discussions of this troubling work.
520 8 $a Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate contexts. The discussion centers first on the principal messages of the St. John Passion: Jesus' identity, his work, and how this affects the lives of his followers. Marissen goes on to suggest that fostering hostility toward Jews is not the subject or purpose of Bach's setting. For those who would reduce Bach's powerful work to its artistry, and for those listeners who find Bach's music deeply meaningful but may not have considered its attendant religious and cultural issues, as well as for those who assume the work essentially teaches contempt for Jews, Marissen aims to show that confronting the St. John Passion is more problematic than they think. The result is an ethically intelligent, carefully reasoned discussion of one of Western music's greatest works of art. This book is designed for both general readers and scholars.
600 0 0 $a Jesus Christ $x Passion $x Role of Jews. $3 794436
600 0 7 $a Jesus Christ. $3 688891
600 1 0 $a Bach, Johann Sebastian, $d 1685-1750. $t Johannespassion. $3 794437
630 0 0 $a Bible. $p John, XVIII-XIX. $l German $x Versions $x Luther. $3 3473645
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650 # 0 $a Judaism $x Relations $x Lutheran Church. $3 794438
650 # 0 $a Lutheran Church $x Relations $x Judaism. $3 794439
650 # 0 $a Oratorios $v Librettos. $3 794440
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