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Echoes of opera in modern Italian po...

Acetoso, Mattia.

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Echoes of opera in modern Italian poetry = eros, tragedy, and national identity /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Echoes of opera in modern Italian poetry/ by Mattia Acetoso.
Reminder of title:	eros, tragedy, and national identity /
Author:	Acetoso, Mattia.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xi, 276 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Introduction -- Chapter 2: From Bayreuth to Fiume: D'Annunzio, Wagner and the Death of Italian Opera -- Chapter 3: Umberto Saba and the Verdian Sound of Italy -- Chapter 4: More Than Words: Ossi di seppia, Opera, and the Miracle of Counter-Eloquence. Chapter 5: Heart of Darkness: Saba's Operatic Eroticism -- Chapter 6: Strange Mercy: Montale, Opera, and the Death of Tragedy -- Chapter 7: Poetry and the Beast: Giorgio Caproni's Simulations of Opera -- Chapter 8: Conclusions.
Contained By:	Springer eBooks
Subject:	Italian poetry - History and criticism. - 20th century -
Online resource:	https://doi.org/10.1007/978-3-030-46091-4
ISBN:	9783030460914

Echoes of opera in modern Italian poetry = eros, tragedy, and national identity /
Acetoso, Mattia.

Echoes of opera in modern Italian poetryeros, tragedy, and national identity /[electronic resource] :by Mattia Acetoso. - Cham :Springer International Publishing :2020. - xi, 276 p. :ill., digital ;24 cm. - Italian and Italian American studies. - Italian and Italian American studies..

Chapter 1: Introduction -- Chapter 2: From Bayreuth to Fiume: D'Annunzio, Wagner and the Death of Italian Opera -- Chapter 3: Umberto Saba and the Verdian Sound of Italy -- Chapter 4: More Than Words: Ossi di seppia, Opera, and the Miracle of Counter-Eloquence. Chapter 5: Heart of Darkness: Saba's Operatic Eroticism -- Chapter 6: Strange Mercy: Montale, Opera, and the Death of Tragedy -- Chapter 7: Poetry and the Beast: Giorgio Caproni's Simulations of Opera -- Chapter 8: Conclusions.

Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera: Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D'Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets' intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond.

ISBN: 9783030460914

Standard No.: 10.1007/978-3-030-46091-4doiSubjects--Topical Terms:

856200
Italian poetry
--History and criticism.--20th century

LC Class. No.: PQ4113 / .A248 2020

Dewey Class. No.: 851.9109

Echoes of opera in modern Italian poetry = eros, tragedy, and national identity /
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505 0 $a Chapter 1: Introduction -- Chapter 2: From Bayreuth to Fiume: D'Annunzio, Wagner and the Death of Italian Opera -- Chapter 3: Umberto Saba and the Verdian Sound of Italy -- Chapter 4: More Than Words: Ossi di seppia, Opera, and the Miracle of Counter-Eloquence. Chapter 5: Heart of Darkness: Saba's Operatic Eroticism -- Chapter 6: Strange Mercy: Montale, Opera, and the Death of Tragedy -- Chapter 7: Poetry and the Beast: Giorgio Caproni's Simulations of Opera -- Chapter 8: Conclusions.
520 $a Twentieth-century Italian poetry is haunted by countless ghosts and shadows from opera: Echoes of Opera in Modern Italian Poetry reveals their presence and sheds light on their role in shaping that great poetic tradition. This is the first work in English to analyze the influence of opera on modern Italian poetry, uncovering a fundamental but neglected relationship between the two art forms. A group of Italian poets, from Gabriele D'Annunzio to Giorgio Caproni, by way of Umberto Saba and Eugenio Montale, made opera a cornerstone of their artistic craft. More than an occasional stylistic influence, opera is rather analyzed as a fundamental facet of these poets' intellectual quest to overcome the expressive limitations of lyrical poetry. This book reframes modern Italian poetry in a truly interdisciplinary perspective, broadening our understanding of its prominence within the humanities, in the twentieth century and beyond.
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