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Intercultural aesthetics in traditio...

Feng, Wei.

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Intercultural aesthetics in traditional Chinese theatre = from 1978 to the present /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Intercultural aesthetics in traditional Chinese theatre/ by Wei Feng.
Reminder of title:	from 1978 to the present /
Author:	Feng, Wei.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xv, 277 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.
Contained By:	Springer eBooks
Subject:	Chinese drama - History and criticism. -
Online resource:	https://doi.org/10.1007/978-3-030-40635-6
ISBN:	9783030406356

Intercultural aesthetics in traditional Chinese theatre = from 1978 to the present /
Feng, Wei.

Intercultural aesthetics in traditional Chinese theatrefrom 1978 to the present /[electronic resource] :by Wei Feng. - Cham :Springer International Publishing :2020. - xv, 277 p. :ill., digital ;24 cm.

1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.

This book traces the transformation of traditional Chinese theatre's (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates on significant changes taking place in playwriting, acting, scenography, and stage-audience relations stemming from intercultural appropriation. As exemplified by each chapter, during the intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China's pursuit of modernity between its traditional and Western influences.

ISBN: 9783030406356

Standard No.: 10.1007/978-3-030-40635-6doiSubjects--Topical Terms:

740648
Chinese drama
--History and criticism.

LC Class. No.: PL2357 / .F464 2020

Dewey Class. No.: 895.12009

Intercultural aesthetics in traditional Chinese theatre = from 1978 to the present /
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245 1 0 $a Intercultural aesthetics in traditional Chinese theatre $h [electronic resource] : $b from 1978 to the present / $c by Wei Feng.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2020.
300 $a xv, 277 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Chapter 1: 'Egotistic' Adaptations of King Lear: Intercultural Playwrights Haunted by Tradition -- 3. Chapter 2: Border-Crossing Chou Actors in Beckettian Jingju -- 4. Chapter 3: Expressionistic Chuanju: Ghosts and Scenography in Lady Macbeth -- 5. Audiences Freed from Illusion?: Brechtian Estrangement and Metatheatricality Displaced in Xiqu -- 6. Conclusion.
520 $a This book traces the transformation of traditional Chinese theatre's (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates on significant changes taking place in playwriting, acting, scenography, and stage-audience relations stemming from intercultural appropriation. As exemplified by each chapter, during the intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China's pursuit of modernity between its traditional and Western influences.
650 0 $a Chinese drama $x History and criticism. $3 740648
650 0 $a Intercultural communication in the performing arts. $3 1599548
650 1 4 $a Contemporary Theatre. $3 3221924
650 2 4 $a National/Regional Theatre and Performance. $3 3264622
650 2 4 $a Global/International Theatre and Performance. $3 3236632
650 2 4 $a Performing Arts. $3 896022
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856 4 0 $u https://doi.org/10.1007/978-3-030-40635-6
950 $a Literature, Cultural and Media Studies (Springer-41173)