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Politics of practice = a rhetoric of...

Hunter, Lynette.

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Politics of practice = a rhetoric of performativity /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Politics of practice/ by Lynette Hunter.
Reminder of title:	a rhetoric of performativity /
Author:	Hunter, Lynette.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	xiii, 278 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. The Sociocultural and the Sociosituated -- 3. The Alongside -- 4. Sustaining Sociosituated Performativity with Collaboration -- 5. Transition - Critical Reflections -- 6. Keith Hennessy's Sol Niger, and Turbulence -- 7. Ilya Noe's Deerwalk -- 8. Caro Novella's parentesi, and Resistencias Sonoras -- 9. duskin drum - Selections from performance artmaking -- 10. Completed Notes - Finding Critical Form.
Contained By:	Springer eBooks
Subject:	Performance art. -
Online resource:	https://doi.org/10.1007/978-3-030-14019-9
ISBN:	9783030140199

Politics of practice = a rhetoric of performativity /
Hunter, Lynette.

Politics of practicea rhetoric of performativity /[electronic resource] :by Lynette Hunter. - Cham :Springer International Publishing :2019. - xiii, 278 p. :ill., digital ;24 cm. - Performance philosophy. - Performance philosophy..

1. Introduction -- 2. The Sociocultural and the Sociosituated -- 3. The Alongside -- 4. Sustaining Sociosituated Performativity with Collaboration -- 5. Transition - Critical Reflections -- 6. Keith Hennessy's Sol Niger, and Turbulence -- 7. Ilya Noe's Deerwalk -- 8. Caro Novella's parentesi, and Resistencias Sonoras -- 9. duskin drum - Selections from performance artmaking -- 10. Completed Notes - Finding Critical Form.

This book discusses affective practices in performance through the study of four contemporary performers - Keith Hennessy, Ilya Noe, Caro Novella, and duskin drum - to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox - hendiadys, enthymeme, anecdote, allegory - that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.

ISBN: 9783030140199

Standard No.: 10.1007/978-3-030-14019-9doiSubjects--Topical Terms:

540156
Performance art.

LC Class. No.: NX456.5.P38 / H868 2019

Dewey Class. No.: 701.03

Politics of practice = a rhetoric of performativity /
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300 $a xiii, 278 p. : $b ill., digital ; $c 24 cm.
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505 0 $a 1. Introduction -- 2. The Sociocultural and the Sociosituated -- 3. The Alongside -- 4. Sustaining Sociosituated Performativity with Collaboration -- 5. Transition - Critical Reflections -- 6. Keith Hennessy's Sol Niger, and Turbulence -- 7. Ilya Noe's Deerwalk -- 8. Caro Novella's parentesi, and Resistencias Sonoras -- 9. duskin drum - Selections from performance artmaking -- 10. Completed Notes - Finding Critical Form.
520 $a This book discusses affective practices in performance through the study of four contemporary performers - Keith Hennessy, Ilya Noe, Caro Novella, and duskin drum - to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox - hendiadys, enthymeme, anecdote, allegory - that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
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