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Cultural controversies in the West G...

Knapp, Marcela.

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Cultural controversies in the West German public sphere = aesthetic fiction and the creation of social identities /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Cultural controversies in the West German public sphere/ by Marcela Knapp.
Reminder of title:	aesthetic fiction and the creation of social identities /
Author:	Knapp, Marcela.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xi, 331 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Theoretical Considerations -- 3. Confirming a Secular World Order: Ingmar Bergman's The Silence -- 4. A Moving World: George Orwell's Nineteen Eighty-Four -- 5. The Creation Of the Social: Rolf Hochhuth's The Deputy -- 6. The Social Visibility of Corporeality: The Rebel Youth Films in the Fifties -- 7. Fiction Between Representation and Quotation: Rainer Werner Fassbinder's Garbage, the City and Death -- 8. Conclusions.
Contained By:	Springer eBooks
Subject:	Group identity - Germany (West) -
Online resource:	https://doi.org/10.1007/978-3-030-40086-6
ISBN:	9783030400866

Cultural controversies in the West German public sphere = aesthetic fiction and the creation of social identities /
Knapp, Marcela.

Cultural controversies in the West German public sphereaesthetic fiction and the creation of social identities /[electronic resource] :by Marcela Knapp. - Cham :Springer International Publishing :2020. - xi, 331 p. :ill., digital ;24 cm.

1. Introduction -- 2. Theoretical Considerations -- 3. Confirming a Secular World Order: Ingmar Bergman's The Silence -- 4. A Moving World: George Orwell's Nineteen Eighty-Four -- 5. The Creation Of the Social: Rolf Hochhuth's The Deputy -- 6. The Social Visibility of Corporeality: The Rebel Youth Films in the Fifties -- 7. Fiction Between Representation and Quotation: Rainer Werner Fassbinder's Garbage, the City and Death -- 8. Conclusions.

This book develops a theory of aesthetic fiction's impact on social identities. Throughout five case studies, the author develops the argument that social identities are nurtured by and may even emerge through the conflict between different aesthetic expressions. As it creates affective structures, narrative fiction enables the development and formation of political and cultural identities. This work is part of a field of research that deals with the aesthetics of the everyday and the idea of social aesthetics. It argues for a central role for the arts in the creation and formation of modern society. Social identities emerge in response to aesthetic-sensual patterns of perception. Focusing on five West German public debates in the years 1950 to 1990, this work sheds light upon the transformation of social reality through the discursive adaption of art. Dr. Marcela Knapp is a cultural sociologist. She lives and works in Berlin.

ISBN: 9783030400866

Standard No.: 10.1007/978-3-030-40086-6doiSubjects--Topical Terms:

3450259
Group identity
--Germany (West)

LC Class. No.: HM753 / .K537 2020

Dewey Class. No.: 305

Cultural controversies in the West German public sphere = aesthetic fiction and the creation of social identities /
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300 $a xi, 331 p. : $b ill., digital ; $c 24 cm.
505 0 $a 1. Introduction -- 2. Theoretical Considerations -- 3. Confirming a Secular World Order: Ingmar Bergman's The Silence -- 4. A Moving World: George Orwell's Nineteen Eighty-Four -- 5. The Creation Of the Social: Rolf Hochhuth's The Deputy -- 6. The Social Visibility of Corporeality: The Rebel Youth Films in the Fifties -- 7. Fiction Between Representation and Quotation: Rainer Werner Fassbinder's Garbage, the City and Death -- 8. Conclusions.
520 $a This book develops a theory of aesthetic fiction's impact on social identities. Throughout five case studies, the author develops the argument that social identities are nurtured by and may even emerge through the conflict between different aesthetic expressions. As it creates affective structures, narrative fiction enables the development and formation of political and cultural identities. This work is part of a field of research that deals with the aesthetics of the everyday and the idea of social aesthetics. It argues for a central role for the arts in the creation and formation of modern society. Social identities emerge in response to aesthetic-sensual patterns of perception. Focusing on five West German public debates in the years 1950 to 1990, this work sheds light upon the transformation of social reality through the discursive adaption of art. Dr. Marcela Knapp is a cultural sociologist. She lives and works in Berlin.
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