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Italian Goth subculture = kindred cr...

Tosoni, Simone.

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Italian Goth subculture = kindred creatures and other dark enactments in Milan, 1982-1991 /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Italian Goth subculture/ by Simone Tosoni, Emanuela Zuccala.
Reminder of title:	kindred creatures and other dark enactments in Milan, 1982-1991 /
Author:	Tosoni, Simone.
other author:	Zuccala, Emanuela.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	vii, 236 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: Enacting Goth in Milan in the '80s -- 2. The Research: Methods and Methodology -- 3. Der Himmel Uber Milan: The City of Milan in the Early '80s -- 4. Another No Future: From anarcho-punk to the activist enactment of dark -- 5. A Batcave in Via Redi: The music club enactment of dark -- 6. Siberia: The Loner Enactment of Dark -- 7. Dark Canon -- 8. Conclusions: An Enactment Approach to Subcultures and Post-Subcultures.
Contained By:	Springer eBooks
Subject:	Goth culture (Subculture) - Italy -
Online resource:	https://doi.org/10.1007/978-3-030-39811-8
ISBN:	9783030398118

Italian Goth subculture = kindred creatures and other dark enactments in Milan, 1982-1991 /
Tosoni, Simone.

Italian Goth subculturekindred creatures and other dark enactments in Milan, 1982-1991 /[electronic resource] :by Simone Tosoni, Emanuela Zuccala. - Cham :Springer International Publishing :2020. - vii, 236 p. :ill., digital ;24 cm. - Palgrave studies in the history of subcultures and popular music. - Palgrave studies in the history of subcultures and popular music..

1. Introduction: Enacting Goth in Milan in the '80s -- 2. The Research: Methods and Methodology -- 3. Der Himmel Uber Milan: The City of Milan in the Early '80s -- 4. Another No Future: From anarcho-punk to the activist enactment of dark -- 5. A Batcave in Via Redi: The music club enactment of dark -- 6. Siberia: The Loner Enactment of Dark -- 7. Dark Canon -- 8. Conclusions: An Enactment Approach to Subcultures and Post-Subcultures.

This book is the first in-depth investigation of the Goth subculture in Italy, focusing in particular on the city of Milan. It grows out of a three year research project - the first in Italy of this scope on the topic - based on the life histories of two dozen participants. In light of this, Simone Tosoni and Emanuela Zuccala propose an innovative approach to the study of spectacular subcultures: contrarily to the most common accounts of the spectacular subcultures of the 80s, this book describes the experience of subcultural belonging as plural and internally diversified. In particular, three different variations - or 'enactments' - of goth are described in-depth: the politically engaged one; the one typical of the scene of the alternative music clubs spread all over northern Italy; and the one, common in the little towns surrounding Milan (but not limited to it), where participants used to 'enact' the dark subculture alone or in small groups. Their book argues that while these three different variations of goth shared the same canon of subcultural resources (music, style, patterns of cultural consumptions), they differed under relevant points of view, like forms of socialization, stance toward political activism, identity construction processes, and even their relationship with urban space. Yet, contrarily to the stress on individual differences in 'subcultural' belonging typical of post-subcultural theorists, the Milanese variations of goth appear to have been socially shared, as socially shared were the different 'practices of enactment' of the subculture that characterized each of them.

ISBN: 9783030398118

Standard No.: 10.1007/978-3-030-39811-8doiSubjects--Topical Terms:

3450064
Goth culture (Subculture)
--Italy

LC Class. No.: GT972.M55 / T676 2020

Dewey Class. No.: 306.10945211

Italian Goth subculture = kindred creatures and other dark enactments in Milan, 1982-1991 /
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245 1 0 $a Italian Goth subculture $h [electronic resource] : $b kindred creatures and other dark enactments in Milan, 1982-1991 / $c by Simone Tosoni, Emanuela Zuccala.
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505 0 $a 1. Introduction: Enacting Goth in Milan in the '80s -- 2. The Research: Methods and Methodology -- 3. Der Himmel Uber Milan: The City of Milan in the Early '80s -- 4. Another No Future: From anarcho-punk to the activist enactment of dark -- 5. A Batcave in Via Redi: The music club enactment of dark -- 6. Siberia: The Loner Enactment of Dark -- 7. Dark Canon -- 8. Conclusions: An Enactment Approach to Subcultures and Post-Subcultures.
520 $a This book is the first in-depth investigation of the Goth subculture in Italy, focusing in particular on the city of Milan. It grows out of a three year research project - the first in Italy of this scope on the topic - based on the life histories of two dozen participants. In light of this, Simone Tosoni and Emanuela Zuccala propose an innovative approach to the study of spectacular subcultures: contrarily to the most common accounts of the spectacular subcultures of the 80s, this book describes the experience of subcultural belonging as plural and internally diversified. In particular, three different variations - or 'enactments' - of goth are described in-depth: the politically engaged one; the one typical of the scene of the alternative music clubs spread all over northern Italy; and the one, common in the little towns surrounding Milan (but not limited to it), where participants used to 'enact' the dark subculture alone or in small groups. Their book argues that while these three different variations of goth shared the same canon of subcultural resources (music, style, patterns of cultural consumptions), they differed under relevant points of view, like forms of socialization, stance toward political activism, identity construction processes, and even their relationship with urban space. Yet, contrarily to the stress on individual differences in 'subcultural' belonging typical of post-subcultural theorists, the Milanese variations of goth appear to have been socially shared, as socially shared were the different 'practices of enactment' of the subculture that characterized each of them.
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