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Hong Kong popular culture = worlding...
~
Wang, Klavier J.
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Hong Kong popular culture = worlding film, television, and pop music /
Record Type:
Electronic resources : Monograph/item
Title/Author:
Hong Kong popular culture/ by Klavier J. Wang.
Reminder of title:
worlding film, television, and pop music /
Author:
Wang, Klavier J.
Published:
Singapore :Springer Singapore : : 2020.,
Description:
xxi, 523 p. :ill., digital ;24 cm.
[NT 15003449]:
1. Introduction -- 2. Making of Hong Kong Film -- 3. Worlding Hong Kong Film -- 4. Making of Hong Kong TV -- 5. Worlding of Hong Kong TV -- 6. Making of Cantopop -- 7. Worlding of Cantopop -- 8. Epilogue.
Contained By:
Springer eBooks
Subject:
Popular culture - China -
Online resource:
https://doi.org/10.1007/978-981-13-8817-0
ISBN:
9789811388170
Hong Kong popular culture = worlding film, television, and pop music /
Wang, Klavier J.
Hong Kong popular culture
worlding film, television, and pop music /[electronic resource] :by Klavier J. Wang. - Singapore :Springer Singapore :2020. - xxi, 523 p. :ill., digital ;24 cm. - Hong Kong studies reader series,2523-7764. - Hong Kong studies reader series..
1. Introduction -- 2. Making of Hong Kong Film -- 3. Worlding Hong Kong Film -- 4. Making of Hong Kong TV -- 5. Worlding of Hong Kong TV -- 6. Making of Cantopop -- 7. Worlding of Cantopop -- 8. Epilogue.
This book traces the evolution of the Hong Kong's popular culture, namely film, television and popular music (also known as Cantopop), which is knotted with the city's geo-political, economic and social transformations. Under various historical contingencies and due to the city's special geo-politics, these three major popular cultural forms have experienced various worlding processes and have generated border-crossing impact culturally and socially. The worlding processes are greatly associated the city's nature as a reception and departure port to Sinophone migrants and populations of multiethnic and multicultural. Reaching beyond the "golden age" (1980s) of Hong Kong popular culture and afar from a film-centric cultural narration, this book, delineating from the dawn of the 20th century and following a chronological order, untangles how the nowadays popular "Hong Kong film", "Hong Kong TV" and "Cantopop" are derived from early-age Sinophone cultural heritage, re-shaped through cross-cultural hybridization and influenced by multiple political forces. Review of archives, existing literatures and corporation documents are supplemented with policy analysis and in-depth interviews to explore the centennial development of Hong Kong popular culture, which is by no means demise but at the juncture of critical transition. Klaiver J. Wang is a researcher on Hong Kong culture and society. She was a post-doctoral fellow at the Academy of Hong Kong Studies, Education University of Hong Kong. She is now pursuing film archivist training at Tisch School of the Arts, New York University. Her publication appears on International Journal of Cultural Studies and International Journal of Taiwan Studies.
ISBN: 9789811388170
Standard No.: 10.1007/978-981-13-8817-0doiSubjects--Topical Terms:
813683
Popular culture
--China
LC Class. No.: DS796.H75 / W364 2020
Dewey Class. No.: 306.095125
Hong Kong popular culture = worlding film, television, and pop music /
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1. Introduction -- 2. Making of Hong Kong Film -- 3. Worlding Hong Kong Film -- 4. Making of Hong Kong TV -- 5. Worlding of Hong Kong TV -- 6. Making of Cantopop -- 7. Worlding of Cantopop -- 8. Epilogue.
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This book traces the evolution of the Hong Kong's popular culture, namely film, television and popular music (also known as Cantopop), which is knotted with the city's geo-political, economic and social transformations. Under various historical contingencies and due to the city's special geo-politics, these three major popular cultural forms have experienced various worlding processes and have generated border-crossing impact culturally and socially. The worlding processes are greatly associated the city's nature as a reception and departure port to Sinophone migrants and populations of multiethnic and multicultural. Reaching beyond the "golden age" (1980s) of Hong Kong popular culture and afar from a film-centric cultural narration, this book, delineating from the dawn of the 20th century and following a chronological order, untangles how the nowadays popular "Hong Kong film", "Hong Kong TV" and "Cantopop" are derived from early-age Sinophone cultural heritage, re-shaped through cross-cultural hybridization and influenced by multiple political forces. Review of archives, existing literatures and corporation documents are supplemented with policy analysis and in-depth interviews to explore the centennial development of Hong Kong popular culture, which is by no means demise but at the juncture of critical transition. Klaiver J. Wang is a researcher on Hong Kong culture and society. She was a post-doctoral fellow at the Academy of Hong Kong Studies, Education University of Hong Kong. She is now pursuing film archivist training at Tisch School of the Arts, New York University. Her publication appears on International Journal of Cultural Studies and International Journal of Taiwan Studies.
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Political Science and International Studies (Springer-41174)
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EB DS796.H75 W364 2020
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