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The theatrical spectaculum = an anth...

Gamliel, Tova.

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The theatrical spectaculum = an anthropological theory /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The theatrical spectaculum/ by Tova Gamliel.
Reminder of title:	an anthropological theory /
Author:	Gamliel, Tova.
Published:	Cham :Springer International Publishing : : 2020.,
Description:	xii, 270 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Introduction--Theatrical Cosmo-Logic -- Chapter 2: Aesth-ethics -- Chapter 3: The Spectaculum -- Chapter 4: Epilogue--Prostration.
Contained By:	Springer eBooks
Subject:	Theater - Philosophy. -
Online resource:	https://doi.org/10.1007/978-3-030-28128-1
ISBN:	9783030281281

The theatrical spectaculum = an anthropological theory /
Gamliel, Tova.

The theatrical spectaculuman anthropological theory /[electronic resource] :by Tova Gamliel. - Cham :Springer International Publishing :2020. - xii, 270 p. :ill., digital ;24 cm. - Palgrave studies in literary anthropology. - Palgrave studies in literary anthropology..

Chapter 1: Introduction--Theatrical Cosmo-Logic -- Chapter 2: Aesth-ethics -- Chapter 3: The Spectaculum -- Chapter 4: Epilogue--Prostration.

This book offers a new mythic perspective on the secret of the allure and survival of a current-archaic institution-the Western theatre-in an era of diverse technological media. Central to the theory is the spectaculum-a stage "world" that mirrors a monotheistic cosmic order. Tova Gamliel here not only alerts the reader to the possibility of the spectaculum's existence, but also illuminates its various structural dimensions: the cosmological, ritual, and sociological. Its cosmo-logical meaning is a Judeo-Christian monotheistic consciousness of non-randomness, an exemplary order of the world that the senses perceive. The ritualmeaning denotes the centrality of the spectaculum, as the theatre repeatedly reenacts the mythical and paradigmatic event of Biblical revelation. Its social meaning concerns any charismatic social theory that is anchored in the epitomic structure of social sovereignty-stage and audience-that the Western theatre advances in an era characterized by hypermedia.

ISBN: 9783030281281

Standard No.: 10.1007/978-3-030-28128-1doiSubjects--Topical Terms:

559598
Theater
--Philosophy.

LC Class. No.: PN2039 / .G365 2020

Dewey Class. No.: 792.01

The theatrical spectaculum = an anthropological theory /
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520 $a This book offers a new mythic perspective on the secret of the allure and survival of a current-archaic institution-the Western theatre-in an era of diverse technological media. Central to the theory is the spectaculum-a stage "world" that mirrors a monotheistic cosmic order. Tova Gamliel here not only alerts the reader to the possibility of the spectaculum's existence, but also illuminates its various structural dimensions: the cosmological, ritual, and sociological. Its cosmo-logical meaning is a Judeo-Christian monotheistic consciousness of non-randomness, an exemplary order of the world that the senses perceive. The ritualmeaning denotes the centrality of the spectaculum, as the theatre repeatedly reenacts the mythical and paradigmatic event of Biblical revelation. Its social meaning concerns any charismatic social theory that is anchored in the epitomic structure of social sovereignty-stage and audience-that the Western theatre advances in an era characterized by hypermedia.
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