東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Ars Gallica: The Societe nationale d...

Strasser, Michael Creasman.

Linked to FindBook

Google Book

Amazon

博客來

Ars Gallica: The Societe nationale de musique and its role in French musical life, 1871-1891.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Ars Gallica: The Societe nationale de musique and its role in French musical life, 1871-1891./
Author:	Strasser, Michael Creasman.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 1998,
Description:	682 p.
Notes:	Source: Dissertations Abstracts International, Volume: 60-06, Section: A.
Contained By:	Dissertations Abstracts International60-06A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9904597
ISBN:	9780599019546

Ars Gallica: The Societe nationale de musique and its role in French musical life, 1871-1891.
Strasser, Michael Creasman.

Ars Gallica: The Societe nationale de musique and its role in French musical life, 1871-1891. - Ann Arbor : ProQuest Dissertations & Theses, 1998 - 682 p.

Source: Dissertations Abstracts International, Volume: 60-06, Section: A.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998.

This item must not be sold to any third party vendors.

The Societe nationale de musique, founded in the days immediately following the Franco-Prussian War, has long been acknowledged as an important catalyst for, and symbol of, the French musical renaissance that occurred during the last decades of the nineteenth century. In spite of this fact, very little is known of the organization's history or of the precise nature of its role in the musical life of Paris during this crucial period in French musical history. This dissertation offers the first in-depth study of the early history of the Societe nationale. Making use of archival materials and programs held in the Bibliotheque nationale, extensive correspondence among the Societe's members (most of which is unpublished), government records located in the Archives nationales and other collections, as well as articles, reviews and essays found in contemporary newspapers, literary and cultural journals, and musical weeklies, it is possible to paint a fairly complete picture of the Societe's philosophy, policies, and activities during the crucial first two decades of its history. During this period, the organization evolved from an eclectic mix of French composers, representing a variety of aesthetic viewpoints, to a forum for the most advanced composers on the Parisian musical scene, most of whom were both pupils of Cesar Franck and admirers of Richard Wagner. By the time of Franck's death in 1890, the takeover of the Societe by his disciples was complete, and its course was set for the next two decades, until a new war with Germany once again disrupted French musical life in 1914. It would be impossible to assess the importance of the Societe nationale without an examination of the intellectual and artistic climate in which it existed. One chapter of this study explores the origins and effects of the post-war reform movement of which the Societe was one manifestation, and extensive space is given over to an examination of French concert life during the Second Empire and in the twenty years after the Franco-Prussian War, with particular emphasis placed on the amount and types of new French music being performed by various Parisian concert organizations.

ISBN: 9780599019546Subjects--Topical Terms:

516178
Music.

Ars Gallica: The Societe nationale de musique and its role in French musical life, 1871-1891.
LDR:03341nmm a2200325 4500 001 2210209
005 20191118121602.5
008 201008s1998 ||||||||||||||||| ||eng d
020 $a 9780599019546
035 $a (MiAaPQ)AAI9904597
035 $a AAI9904597
040 $a MiAaPQ $c MiAaPQ
100 1 $a Strasser, Michael Creasman. $3 3437348
245 1 0 $a Ars Gallica: The Societe nationale de musique and its role in French musical life, 1871-1891.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1998
300 $a 682 p.
500 $a Source: Dissertations Abstracts International, Volume: 60-06, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Ringer, Alexander L.
502 $a Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a The Societe nationale de musique, founded in the days immediately following the Franco-Prussian War, has long been acknowledged as an important catalyst for, and symbol of, the French musical renaissance that occurred during the last decades of the nineteenth century. In spite of this fact, very little is known of the organization's history or of the precise nature of its role in the musical life of Paris during this crucial period in French musical history. This dissertation offers the first in-depth study of the early history of the Societe nationale. Making use of archival materials and programs held in the Bibliotheque nationale, extensive correspondence among the Societe's members (most of which is unpublished), government records located in the Archives nationales and other collections, as well as articles, reviews and essays found in contemporary newspapers, literary and cultural journals, and musical weeklies, it is possible to paint a fairly complete picture of the Societe's philosophy, policies, and activities during the crucial first two decades of its history. During this period, the organization evolved from an eclectic mix of French composers, representing a variety of aesthetic viewpoints, to a forum for the most advanced composers on the Parisian musical scene, most of whom were both pupils of Cesar Franck and admirers of Richard Wagner. By the time of Franck's death in 1890, the takeover of the Societe by his disciples was complete, and its course was set for the next two decades, until a new war with Germany once again disrupted French musical life in 1914. It would be impossible to assess the importance of the Societe nationale without an examination of the intellectual and artistic climate in which it existed. One chapter of this study explores the origins and effects of the post-war reform movement of which the Societe was one manifestation, and extensive space is given over to an examination of French concert life during the Second Empire and in the twenty years after the Franco-Prussian War, with particular emphasis placed on the amount and types of new French music being performed by various Parisian concert organizations.
590 $a School code: 0090.
650 4 $a Music. $3 516178
650 4 $a European history. $2 bicssc $3 1972904
690 $a 0413
690 $a 0335
710 2 $a University of Illinois at Urbana-Champaign. $3 626646
773 0 $t Dissertations Abstracts International $g 60-06A.
790 $a 0090
791 $a Ph.D.
792 $a 1998
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9904597