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Deploying Place: A Cultural Economy ...

Scheer, George M., III.

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Deploying Place: A Cultural Economy of Art and Urbanism in The Great Recession.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Deploying Place: A Cultural Economy of Art and Urbanism in The Great Recession./
Author:	Scheer, George M., III.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2019,
Description:	246 p.
Notes:	Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
Contained By:	Dissertations Abstracts International81-04A.
Subject:	Urban planning. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=22587127

Deploying Place: A Cultural Economy of Art and Urbanism in The Great Recession.
Scheer, George M., III.

Deploying Place: A Cultural Economy of Art and Urbanism in The Great Recession. - Ann Arbor : ProQuest Dissertations & Theses, 2019 - 246 p.

Source: Dissertations Abstracts International, Volume: 81-04, Section: A.

Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2019.

This item must not be sold to any third party vendors.

Deploying Place considers how urban and cultural policies, shaped after the 2008 financial collapse, utilize discourses of place, placemaking, and place-based urbanism to transform social and economic conditions in American cities. This political economic critique looks at the intersection of urban and cultural policy, federal stimulus, private philanthropy, and artist practices directed at housing, transportation, and urban revitalization. It examines how urbanism over the last 20 years sought to enhance community resources, and forms of livability, access, and affordability while also attracting advanced industries and workforces to mid-size American cities suffering post-industrial divestment and decline. An emerging field of creative placemaking, operating at the intersection of community and economic development, sought to introduce artistic and community-centered approaches to urban development. Case studies in New Orleans, Minneapolis, Durham, Philadelphia, and Jackson, Mississippi, examine how placemaking sought to connect social and economic resources, design healthier environments, support local businesses and community enterprises, and bridge service needs for low income and minority communities. At the same time, many of these efforts accelerated processes of privatization and gentrification within a historic continuum of displacement and disruption of low-income communities of color. This dissertation argues for more comprehensive urban policy, planning processes, measurement indicators, and financing tools oriented toward retention rather than attraction of people to a place. It also contends that a more equitable distribution of resources focused on existing cultural infrastructures can strengthen existing communities where they live and work. It celebrates those more radical artistic practices that in the context of creative placemaking and urban development seek to empower community trust, resilience, and capacity to secure their own interests and place in the midst of urbanization.Subjects--Topical Terms:

2122922
Urban planning.

Deploying Place: A Cultural Economy of Art and Urbanism in The Great Recession.
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245 1 0 $a Deploying Place: A Cultural Economy of Art and Urbanism in The Great Recession.
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300 $a 246 p.
500 $a Source: Dissertations Abstracts International, Volume: 81-04, Section: A.
500 $a Advisor: Watts, Eric.
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506 $a This item must not be sold to any third party vendors.
506 $a This item must not be sold to any third party vendors.
520 $a Deploying Place considers how urban and cultural policies, shaped after the 2008 financial collapse, utilize discourses of place, placemaking, and place-based urbanism to transform social and economic conditions in American cities. This political economic critique looks at the intersection of urban and cultural policy, federal stimulus, private philanthropy, and artist practices directed at housing, transportation, and urban revitalization. It examines how urbanism over the last 20 years sought to enhance community resources, and forms of livability, access, and affordability while also attracting advanced industries and workforces to mid-size American cities suffering post-industrial divestment and decline. An emerging field of creative placemaking, operating at the intersection of community and economic development, sought to introduce artistic and community-centered approaches to urban development. Case studies in New Orleans, Minneapolis, Durham, Philadelphia, and Jackson, Mississippi, examine how placemaking sought to connect social and economic resources, design healthier environments, support local businesses and community enterprises, and bridge service needs for low income and minority communities. At the same time, many of these efforts accelerated processes of privatization and gentrification within a historic continuum of displacement and disruption of low-income communities of color. This dissertation argues for more comprehensive urban policy, planning processes, measurement indicators, and financing tools oriented toward retention rather than attraction of people to a place. It also contends that a more equitable distribution of resources focused on existing cultural infrastructures can strengthen existing communities where they live and work. It celebrates those more radical artistic practices that in the context of creative placemaking and urban development seek to empower community trust, resilience, and capacity to secure their own interests and place in the midst of urbanization.
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