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Die Gruppe Zero: Working through War...

Holaday, Jill Michelle.

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Die Gruppe Zero: Working through Wartime Trauma.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Die Gruppe Zero: Working through Wartime Trauma./
Author:	Holaday, Jill Michelle.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	405 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-01, Section: A.
Contained By:	Dissertations Abstracts International80-01A.
Subject:	Art Criticism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10751702
ISBN:	9780438152588

Die Gruppe Zero: Working through Wartime Trauma.
Holaday, Jill Michelle.

Die Gruppe Zero: Working through Wartime Trauma. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 405 p.

Source: Dissertations Abstracts International, Volume: 80-01, Section: A.

Thesis (Ph.D.)--The University of Iowa, 2018.

This item must not be sold to any third party vendors.

My dissertation project, Die Gruppe Zero: Working through Wartime Trauma, analyzes the art, publications, and demonstrations of the art movement Zero. Zero's core artists, Otto Piene, Heinz Mack, and Gunther Uecker worked in West Germany and emerged as a group in West German in 1957. They worked together until they officially disbanded in 1966. My project investigates the specific historical context of Zero, which encompasses the artists' experience of World War II, its dismal aftermath, the rise of the Wirtschaftswunder (Economic Miracle), and the mounting tensions of the Cold War. In between the lines of Zero manifestos, which are wildly riddled with utopian rhetoric, were the sentiments of their dark reality. Zero artists' desire to create all-consuming visual phenomena for the observer stemmed directly from their own immersive experience on the ground during the aerial raids of World War II. Zero artists desired to erase the terrorizing charge embedded in the memory of the past and the fears of the present, through bodily experience that would give survivors a new sense of personal agency.

ISBN: 9780438152588Subjects--Topical Terms:

637082
Art Criticism.

Die Gruppe Zero: Working through Wartime Trauma.
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245 1 0 $a Die Gruppe Zero: Working through Wartime Trauma.
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500 $a Source: Dissertations Abstracts International, Volume: 80-01, Section: A.
500 $a Publisher info.: Dissertation/Thesis.
500 $a Advisor: Adcock, Craig.
502 $a Thesis (Ph.D.)--The University of Iowa, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a My dissertation project, Die Gruppe Zero: Working through Wartime Trauma, analyzes the art, publications, and demonstrations of the art movement Zero. Zero's core artists, Otto Piene, Heinz Mack, and Gunther Uecker worked in West Germany and emerged as a group in West German in 1957. They worked together until they officially disbanded in 1966. My project investigates the specific historical context of Zero, which encompasses the artists' experience of World War II, its dismal aftermath, the rise of the Wirtschaftswunder (Economic Miracle), and the mounting tensions of the Cold War. In between the lines of Zero manifestos, which are wildly riddled with utopian rhetoric, were the sentiments of their dark reality. Zero artists' desire to create all-consuming visual phenomena for the observer stemmed directly from their own immersive experience on the ground during the aerial raids of World War II. Zero artists desired to erase the terrorizing charge embedded in the memory of the past and the fears of the present, through bodily experience that would give survivors a new sense of personal agency.
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