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Artistry and Authorship: Examining U...

Mims, Joshua.

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Artistry and Authorship: Examining Unique Artistic Voice in Collaborative Filmmaking.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Artistry and Authorship: Examining Unique Artistic Voice in Collaborative Filmmaking./
Author:	Mims, Joshua.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	156 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-05, Section: A.
Contained By:	Dissertations Abstracts International80-05A.
Subject:	Art Criticism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10977100
ISBN:	9780438666795

Artistry and Authorship: Examining Unique Artistic Voice in Collaborative Filmmaking.
Mims, Joshua.

Artistry and Authorship: Examining Unique Artistic Voice in Collaborative Filmmaking. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 156 p.

Source: Dissertations Abstracts International, Volume: 80-05, Section: A.

Thesis (Ph.D.)--Regent University, 2018.

This item must not be sold to any third party vendors.

The purpose of this dissertation is to explore the strange, collaborative, and complicated world of filmmaking through the lens of film theory. The dissertation explores the strange case of the 1982 horror film Poltergeist, directed by Tobe Hooper, and written and produced by Steven Spielberg. The film's true author has always been in question, and with two distinct creative voices at work, this film provides a unique opportunity for analysis. This dissertation seeks to establish the unique creative and directorial voices of Spielberg and Hooper, analyzing the film by way of multiple analysis tools. This combined methodology will be used as a means of understanding how a director's artistic contributions can be separated from the greater contributions of an artistically prevalent producer such as Spielberg. The findings of this dissertation are that, while Hooper is the credited director, Spielberg's influence on the film is clear and unequivocal. Further, this dissertation will lay out the need for a new type of film analysis, one that takes into account a director's role in working within a greater franchise or for an influential producer or showrunner. As Janet Staiger writes in "Authorship Approaches" from Authorship and Film, authorship matters "...especially to those in non-dominant positions in which asserting even a partial agency may seem to be important for day-to-day survival or where locating moments of alternative practice takes away the naturalized privileges of normativity" (Staiger, p. 27).

ISBN: 9780438666795Subjects--Topical Terms:

637082
Art Criticism.

Artistry and Authorship: Examining Unique Artistic Voice in Collaborative Filmmaking.
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500 $a Source: Dissertations Abstracts International, Volume: 80-05, Section: A.
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502 $a Thesis (Ph.D.)--Regent University, 2018.
506 $a This item must not be sold to any third party vendors.
520 $a The purpose of this dissertation is to explore the strange, collaborative, and complicated world of filmmaking through the lens of film theory. The dissertation explores the strange case of the 1982 horror film Poltergeist, directed by Tobe Hooper, and written and produced by Steven Spielberg. The film's true author has always been in question, and with two distinct creative voices at work, this film provides a unique opportunity for analysis. This dissertation seeks to establish the unique creative and directorial voices of Spielberg and Hooper, analyzing the film by way of multiple analysis tools. This combined methodology will be used as a means of understanding how a director's artistic contributions can be separated from the greater contributions of an artistically prevalent producer such as Spielberg. The findings of this dissertation are that, while Hooper is the credited director, Spielberg's influence on the film is clear and unequivocal. Further, this dissertation will lay out the need for a new type of film analysis, one that takes into account a director's role in working within a greater franchise or for an influential producer or showrunner. As Janet Staiger writes in "Authorship Approaches" from Authorship and Film, authorship matters "...especially to those in non-dominant positions in which asserting even a partial agency may seem to be important for day-to-day survival or where locating moments of alternative practice takes away the naturalized privileges of normativity" (Staiger, p. 27).
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