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Dee-Jay Drop that "Deadbeat:" Hip-ho...

Adolph, Jessie L., Sr.

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Dee-Jay Drop that "Deadbeat:" Hip-hop's Remix of Fatherhood Narratives.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Dee-Jay Drop that "Deadbeat:" Hip-hop's Remix of Fatherhood Narratives./
Author:	Adolph, Jessie L., Sr.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	250 p.
Notes:	Source: Dissertations Abstracts International, Volume: 80-10, Section: A.
Contained By:	Dissertations Abstracts International80-10A.
Subject:	Black studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13877128
ISBN:	9781392055472

Dee-Jay Drop that "Deadbeat:" Hip-hop's Remix of Fatherhood Narratives.
Adolph, Jessie L., Sr.

Dee-Jay Drop that "Deadbeat:" Hip-hop's Remix of Fatherhood Narratives. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 250 p.

Source: Dissertations Abstracts International, Volume: 80-10, Section: A.

Thesis (Ph.D.)--University of Missouri - Columbia, 2018.

This dissertation examines hip-hop fatherhood narratives from 2010-2015 influenced by drug addiction, mass incarceration, underground economies, trauma, and dysfunctional co-parenting. Explicitly, the paper explores how marginalized, urban African American dads are imagined as protectors, providers, and/or surrogates in hiphop lyricism. Additionally, the research pays attention to hip-hop artists' depiction of identity orchestration and identity formation of black adolescents and patriarchs by utilizing David Wall's theories on identity stasis. Moreover, the dissertation critically analyzes hip-hop lyrics that reflect different concepts of maleness such as hypermasculine, the complex cool, biblical, heroic, and hegemonic masculinities. In sum, the paper examines rap lyrics use of mimicry calling into question representative black male engagement with American patriarchy.

ISBN: 9781392055472Subjects--Topical Terms:

2122689
Black studies.

Dee-Jay Drop that "Deadbeat:" Hip-hop's Remix of Fatherhood Narratives.
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