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Performing Upon Her Painted Piano: T...

Anderson, Amelia Kate.

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Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance./
Author:	Anderson, Amelia Kate.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
Description:	112 p.
Notes:	Source: Masters Abstracts International, Volume: 56-06.
Contained By:	Masters Abstracts International56-06(E).
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10287542
ISBN:	9780355143041

Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance.
Anderson, Amelia Kate.

Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 112 p.

Source: Masters Abstracts International, Volume: 56-06.

Thesis (M.A.)--University of Oregon, 2017.

This thesis centers around three pianos designed and/or decorated by the Victorian artist Sir Edward Coley Burne-Jones: the Priestley Piano, the Graham Piano, and the Ionides Piano. I read and interpret the Burne-Jones pianos not only as examples of the artist's exploration of the boundaries of visual art and music, but also as reflections of the Victorian era female gender performance. Their physical forms and decorations, both designed and executed by Burne-Jones, enhance the piano as an instrument and accentuate their respective female performers. The music emanating from these pianos and the domestic space in which they inhabit prompt and contribute to the Victorian female performance of gender.

ISBN: 9780355143041Subjects--Topical Terms:

2122701
Art history.

Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance.
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245 1 0 $a Performing Upon Her Painted Piano: The Burne-Jones Pianos and the Victorian Female Gender Performance.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 112 p.
500 $a Source: Masters Abstracts International, Volume: 56-06.
500 $a Adviser: Nina A. Amstutz.
502 $a Thesis (M.A.)--University of Oregon, 2017.
520 $a This thesis centers around three pianos designed and/or decorated by the Victorian artist Sir Edward Coley Burne-Jones: the Priestley Piano, the Graham Piano, and the Ionides Piano. I read and interpret the Burne-Jones pianos not only as examples of the artist's exploration of the boundaries of visual art and music, but also as reflections of the Victorian era female gender performance. Their physical forms and decorations, both designed and executed by Burne-Jones, enhance the piano as an instrument and accentuate their respective female performers. The music emanating from these pianos and the domestic space in which they inhabit prompt and contribute to the Victorian female performance of gender.
590 $a School code: 0171.
650 4 $a Art history. $3 2122701
650 4 $a Gender studies. $3 2122708
650 4 $a Women's studies. $3 526816
650 4 $a Music history. $3 3342382
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710 2 $a University of Oregon. $b History of Art and Architecture. $3 2095567
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