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Stylistic Conflicts in Sibelius's Se...

Arango Calle, Miguel.

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Stylistic Conflicts in Sibelius's Second Symphony.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Stylistic Conflicts in Sibelius's Second Symphony./
Author:	Arango Calle, Miguel.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	128 p.
Notes:	Source: Masters Abstracts International, Volume: 58-03.
Contained By:	Masters Abstracts International58-03(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=13422186
ISBN:	9780438763364

Stylistic Conflicts in Sibelius's Second Symphony.
Arango Calle, Miguel.

Stylistic Conflicts in Sibelius's Second Symphony. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 128 p.

Source: Masters Abstracts International, Volume: 58-03.

Thesis (M.M.)--The University of Arizona, 2018.

Three stylistic streams converge in Sibelius's music: Modernism/Classicism, Karelianism, and National Romanticism. As a consequence of this stylistic confluence, Sibelius's musical output poses a unique dialogue that resists discrete classification. Notwithstanding the nuances of his music, polarizing views that tend to emphasize only one of these styles abound in his reception history. Sibelius's Second Symphony is a quintessential example of the stylistic interaction that pervades his output.

ISBN: 9780438763364Subjects--Topical Terms:

516178
Music.

Stylistic Conflicts in Sibelius's Second Symphony.
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245 1 0 $a Stylistic Conflicts in Sibelius's Second Symphony.
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300 $a 128 p.
500 $a Source: Masters Abstracts International, Volume: 58-03.
500 $a Adviser: David B. Pomeroy.
502 $a Thesis (M.M.)--The University of Arizona, 2018.
520 $a Three stylistic streams converge in Sibelius's music: Modernism/Classicism, Karelianism, and National Romanticism. As a consequence of this stylistic confluence, Sibelius's musical output poses a unique dialogue that resists discrete classification. Notwithstanding the nuances of his music, polarizing views that tend to emphasize only one of these styles abound in his reception history. Sibelius's Second Symphony is a quintessential example of the stylistic interaction that pervades his output.
520 $a Focusing on this symphony, this study will explore the socio-aesthetic conditions that induced Sibelius to compose a symphony of such a polystylistic character, furthering our understanding of the symphony's role within his professional development while prompting a re-evaluation of its stylistic categorization. Furthermore, it will probe the analytical and hermeneutical potential of its myriad stylistic interactions, presenting an interpretation that highlights the work's stylistic contradictions as paramount features of Sibelius's compositional aesthetic.
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