東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Beautiful Lives: Priests, Beautician...

Umar, Umar.

FindBook

Google Book

Amazon

博客來

Beautiful Lives: Priests, Beauticians, and Performance of Islamic Piety in a Non-Gendered Economy in South Sulawesi, Indonesia.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Beautiful Lives: Priests, Beauticians, and Performance of Islamic Piety in a Non-Gendered Economy in South Sulawesi, Indonesia./
作者:	Umar, Umar.
出版者:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
面頁冊數:	148 p.
附註:	Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.
Contained By:	Dissertation Abstracts International78-07A(E).
Subject:	Cultural anthropology. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10192769
ISBN:	9781369559330

Beautiful Lives: Priests, Beauticians, and Performance of Islamic Piety in a Non-Gendered Economy in South Sulawesi, Indonesia.
Umar, Umar.

Beautiful Lives: Priests, Beauticians, and Performance of Islamic Piety in a Non-Gendered Economy in South Sulawesi, Indonesia. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 148 p.

Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.

Thesis (Ph.D.)--University of California, Berkeley, 2016.

The dissertation unravels how the indigenous transgender identity of the bissu experiences reconfigurations within the Indonesian modern culture dominated by Islamic heterosexual norm. Based on the data collected from the field research in South Sulawesi, Indonesia, archival research in the Netherlands, and media research, the dissertation traces the inflections of bissu identity at the intersection between local traditions and the emergent modern spectator community, artistic experimentation, global culture industry, and homosexual movement in the aftermath of Suharto's fall in 1998. Within this multicultural network, the indigenous identity of the bissu constitutes a paradox in which the convergence between the bissu traditional practices and modern artistic practices transcends the bissu's distinct transgender position from its local reality and engenders a discursive and social space that allows the bissu to overcome the constraint of Islamic heterosexual norm and to provide a cultural and historical register for the urban transgender groups to claim their local cultural root. The location of the bissu indigeneity and transgender identity lies within the dynamic interactions among the bissu, the state, and culture industry, in which moral sentiments and aesthetic sensibility emerge in their distinct forms. The research poses a critique against the failure of the mainstream narratives to address the emerging moral space the bissu inhabit. The space, which I call a spiritual aesthetic space, contains disparate religious and cultural elements as the bissu unite three strands of identity: transgender, Islamic, and indigenous.

ISBN: 9781369559330Subjects--Topical Terms:

2122764
Cultural anthropology.

Beautiful Lives: Priests, Beauticians, and Performance of Islamic Piety in a Non-Gendered Economy in South Sulawesi, Indonesia.
LDR:02705nmm a2200325 4500 001 2202524
005 20190510142249.5
008 201008s2016 ||||||||||||||||| ||eng d
020 $a 9781369559330
035 $a (MiAaPQ)AAI10192769
035 $a (MiAaPQ)berkeley:16471
035 $a AAI10192769
040 $a MiAaPQ $c MiAaPQ
100 1 $a Umar, Umar. $3 3429280
245 1 0 $a Beautiful Lives: Priests, Beauticians, and Performance of Islamic Piety in a Non-Gendered Economy in South Sulawesi, Indonesia.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 148 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.
500 $a Adviser: Sylvia Tiwon.
502 $a Thesis (Ph.D.)--University of California, Berkeley, 2016.
520 $a The dissertation unravels how the indigenous transgender identity of the bissu experiences reconfigurations within the Indonesian modern culture dominated by Islamic heterosexual norm. Based on the data collected from the field research in South Sulawesi, Indonesia, archival research in the Netherlands, and media research, the dissertation traces the inflections of bissu identity at the intersection between local traditions and the emergent modern spectator community, artistic experimentation, global culture industry, and homosexual movement in the aftermath of Suharto's fall in 1998. Within this multicultural network, the indigenous identity of the bissu constitutes a paradox in which the convergence between the bissu traditional practices and modern artistic practices transcends the bissu's distinct transgender position from its local reality and engenders a discursive and social space that allows the bissu to overcome the constraint of Islamic heterosexual norm and to provide a cultural and historical register for the urban transgender groups to claim their local cultural root. The location of the bissu indigeneity and transgender identity lies within the dynamic interactions among the bissu, the state, and culture industry, in which moral sentiments and aesthetic sensibility emerge in their distinct forms. The research poses a critique against the failure of the mainstream narratives to address the emerging moral space the bissu inhabit. The space, which I call a spiritual aesthetic space, contains disparate religious and cultural elements as the bissu unite three strands of identity: transgender, Islamic, and indigenous.
590 $a School code: 0028.
650 4 $a Cultural anthropology. $3 2122764
650 4 $a Gender studies. $3 2122708
650 4 $a Regional studies. $3 3173672
650 4 $a LGBTQ studies. $3 2122706
690 $a 0326
690 $a 0733
690 $a 0604
690 $a 0492
710 2 $a University of California, Berkeley. $b South & Southeast Asian Studies. $3 1675776
773 0 $t Dissertation Abstracts International $g 78-07A(E).
790 $a 0028
791 $a Ph.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10192769