東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

VOCABULARY AND STYLE IN SIX DYNASTIE...

SHERIDAN, SELINDA ANN.

Linked to FindBook

Google Book

Amazon

博客來

VOCABULARY AND STYLE IN SIX DYNASTIES POETRY: A FREQUENCY STUDY OF HSIEH LING-YUN AND HSIEH T'IAO (CHINA).

Record Type:	Electronic resources : Monograph/item
Title/Author:	VOCABULARY AND STYLE IN SIX DYNASTIES POETRY: A FREQUENCY STUDY OF HSIEH LING-YUN AND HSIEH T'IAO (CHINA)./
Author:	SHERIDAN, SELINDA ANN.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 1982,
Description:	366 p.
Notes:	Source: Dissertation Abstracts International, Volume: 43-06, Section: A, page: 1976.
Contained By:	Dissertation Abstracts International43-06A.
Subject:	Asian literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8219335

VOCABULARY AND STYLE IN SIX DYNASTIES POETRY: A FREQUENCY STUDY OF HSIEH LING-YUN AND HSIEH T'IAO (CHINA).
SHERIDAN, SELINDA ANN.

VOCABULARY AND STYLE IN SIX DYNASTIES POETRY: A FREQUENCY STUDY OF HSIEH LING-YUN AND HSIEH T'IAO (CHINA). - Ann Arbor : ProQuest Dissertations & Theses, 1982 - 366 p.

Source: Dissertation Abstracts International, Volume: 43-06, Section: A, page: 1976.

Thesis (Ph.D.)--Cornell University, 1982.

A notable feature of Chinese literary theory in the Six Dynasties (222-589), as evidenced by the writing of the great critic Liu Hsieh (c. 465-522), is the considerable attention devoted to the effects of diction on style. This thesis attempts to clarify a few ways in which vocabulary contributes to stylistic differences. Frequency data compiled from the five-word line poems of two Six Dynasties poets, Hsieh Ling-yun (385-433) and Hsieh T'iao (464-499), provide the point of departure for an analysis of representative poems and the stylistic qualities that Chinese critics have associated with them.Subjects--Topical Terms:

2122707
Asian literature.

VOCABULARY AND STYLE IN SIX DYNASTIES POETRY: A FREQUENCY STUDY OF HSIEH LING-YUN AND HSIEH T'IAO (CHINA).
LDR:03097nmm a2200313 4500 001 2200735
005 20190325081549.5
008 201008s1982 ||||||||||||||||| ||eng d
035 $a (MiAaPQ)AAI8219335
035 $a AAI8219335
040 $a MiAaPQ $c MiAaPQ
100 1 $a SHERIDAN, SELINDA ANN. $3 3427482
245 1 0 $a VOCABULARY AND STYLE IN SIX DYNASTIES POETRY: A FREQUENCY STUDY OF HSIEH LING-YUN AND HSIEH T'IAO (CHINA).
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1982
300 $a 366 p.
500 $a Source: Dissertation Abstracts International, Volume: 43-06, Section: A, page: 1976.
502 $a Thesis (Ph.D.)--Cornell University, 1982.
520 $a A notable feature of Chinese literary theory in the Six Dynasties (222-589), as evidenced by the writing of the great critic Liu Hsieh (c. 465-522), is the considerable attention devoted to the effects of diction on style. This thesis attempts to clarify a few ways in which vocabulary contributes to stylistic differences. Frequency data compiled from the five-word line poems of two Six Dynasties poets, Hsieh Ling-yun (385-433) and Hsieh T'iao (464-499), provide the point of departure for an analysis of representative poems and the stylistic qualities that Chinese critics have associated with them.
520 $a The analytical usefulness of frequency studies is discussed in the Introduction. An illustrative frequency list is presented to show how the data provide evidence for certain trends in vocabulary usage: the high frequency of grammatical particles in Six Dynasties prose, as well as the declining usage of particles, the gradual decrease of abstract nouns, and the co-occurring rise of landscape vocabulary in the five-word line poetry of the period.
520 $a Chapter One presents an overview of the major differences between the primary vocabularies of Hsieh Ling-yun and Hsieh T'iao as derived from a comparative frequency table. The data indicate that Hsieh T'iao's vocabulary is more specific in reference to objects, time, place, and perceptual and textural qualities.
520 $a In Chapter Two, a group of poems by Hsieh Ling-yun is translated and discussed in connection with the idea of change and the stylistic category of the "fresh and the extraordinary." Unusual diction and innovative syntax are singled out as significant features of his style.
520 $a Chapter Three focuses on specific poems by Hsieh T'iao and considers the type of vocabulary that conveys his stylistic signature of "pure elegance." The frequent occurrence of intransitive verbs and quality-oriented attributives in his poetry is discussed.
520 $a The Conclusion suggests that differences in lexicon and style may reflect changes in poetic sensibility and aesthetic perspective that warrant further study. Included as an appendix to the thesis is the author's Concordance to the Five-Word Line Poems of Hsieh Ling-yun.
590 $a School code: 0058.
650 4 $a Asian literature. $3 2122707
690 $a 0305
710 2 $a Cornell University. $3 530586
773 0 $t Dissertation Abstracts International $g 43-06A.
790 $a 0058
791 $a Ph.D.
792 $a 1982
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8219335