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The myth of colorblindness = race an...

Turner, Sarah E.

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The myth of colorblindness = race and ethnicity in American cinema /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The myth of colorblindness/ edited by Sarah E. Turner, Sarah Nilsen.
Reminder of title:	race and ethnicity in American cinema /
other author:	Turner, Sarah E.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	xii, 304 p. :ill., digital ;24 cm.
[NT 15003449]:	Introduction -- Part I: Colorblindness -- 2. Colorblindness: The Lens that Distorts -- 3. Why Hollywood Remains "SoWhite" and a Note on How to Change It -- PART II: Colorblind Racism in Hollywood Films -- 4. Living in Zootopia: Tracking the Neoliberal Subject in a Colorblind World -- 5. The Paradox of Post-racialism: Black Hollywood's Voice in Post-Racial Discourse -- 6. Colorblind Racism, The Trump Effect, and The Blind Side -- 7. Will Smith: A Global Brand of Blackness -- 8. Tricks of the (Colorblind) Trade: Hollywood's Preservation of White Supremacy in the Age of Obama -- PART III: Intersections Between Race, Ethinicity, and Gender and Colorblind Racism in Hollywood -- 9. Zombies, Muslims, and Politics: Racism without Race in Contemporary America -- 10. Latinas/os in Hollywood: Contemporary Representations in Black and White -- 11. Tonto and The Lone Ranger: Nostalgic Kitsch or Post-Racial Backlash? -- 12. Cyborg Woman: Ex Machina and Racial Otherness -- 13. The End of the World, Hollywood, and the Endurance of Military Violence: Elysium and World War Z.
Contained By:	Springer eBooks
Subject:	Minorities in motion pictures. -
Online resource:	https://doi.org/10.1007/978-3-030-17447-7
ISBN:	9783030174477

The myth of colorblindness = race and ethnicity in American cinema /
The myth of colorblindnessrace and ethnicity in American cinema /[electronic resource] :edited by Sarah E. Turner, Sarah Nilsen. - Cham :Springer International Publishing :2019. - xii, 304 p. :ill., digital ;24 cm.

Introduction -- Part I: Colorblindness -- 2. Colorblindness: The Lens that Distorts -- 3. Why Hollywood Remains "SoWhite" and a Note on How to Change It -- PART II: Colorblind Racism in Hollywood Films -- 4. Living in Zootopia: Tracking the Neoliberal Subject in a Colorblind World -- 5. The Paradox of Post-racialism: Black Hollywood's Voice in Post-Racial Discourse -- 6. Colorblind Racism, The Trump Effect, and The Blind Side -- 7. Will Smith: A Global Brand of Blackness -- 8. Tricks of the (Colorblind) Trade: Hollywood's Preservation of White Supremacy in the Age of Obama -- PART III: Intersections Between Race, Ethinicity, and Gender and Colorblind Racism in Hollywood -- 9. Zombies, Muslims, and Politics: Racism without Race in Contemporary America -- 10. Latinas/os in Hollywood: Contemporary Representations in Black and White -- 11. Tonto and The Lone Ranger: Nostalgic Kitsch or Post-Racial Backlash? -- 12. Cyborg Woman: Ex Machina and Racial Otherness -- 13. The End of the World, Hollywood, and the Endurance of Military Violence: Elysium and World War Z.

This book explores representations of race and ethnicity in contemporary cinema and the ways in which these depictions all too often promulgate an important racial ideology: the myth of colorblindness. Colorblindness is a discursive framework employed by mainstream, neoliberal media to celebrate a multicultural society while simultaneously disregarding its systemic and institutionalized racism. This collection is unique in its examination of such films as Ex Machina, The Lone Ranger, The Blind Side, Zootopia, The Fast and the Furious franchise, and Dope, which celebrate the myth of colorblindness, yet perpetuate and entrench the racism and racial inequities that persist in contemporary society. While the #OscarsSoWhite movement has been essential to bringing about structural changes to media industries and offers the opportunity for a wide diversity of voices to alter and transform the dominant, colorblind narratives continue to proliferate. As this book demonstrates, Hollywood still has a long way to go.

ISBN: 9783030174477

Standard No.: 10.1007/978-3-030-17447-7doiSubjects--Topical Terms:

619136
Minorities in motion pictures.

LC Class. No.: PN1995.9.M56 / M984 2019

Dewey Class. No.: 791.436520693

The myth of colorblindness = race and ethnicity in American cinema /
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245 0 4 $a The myth of colorblindness $h [electronic resource] : $b race and ethnicity in American cinema / $c edited by Sarah E. Turner, Sarah Nilsen.
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300 $a xii, 304 p. : $b ill., digital ; $c 24 cm.
505 0 $a Introduction -- Part I: Colorblindness -- 2. Colorblindness: The Lens that Distorts -- 3. Why Hollywood Remains "SoWhite" and a Note on How to Change It -- PART II: Colorblind Racism in Hollywood Films -- 4. Living in Zootopia: Tracking the Neoliberal Subject in a Colorblind World -- 5. The Paradox of Post-racialism: Black Hollywood's Voice in Post-Racial Discourse -- 6. Colorblind Racism, The Trump Effect, and The Blind Side -- 7. Will Smith: A Global Brand of Blackness -- 8. Tricks of the (Colorblind) Trade: Hollywood's Preservation of White Supremacy in the Age of Obama -- PART III: Intersections Between Race, Ethinicity, and Gender and Colorblind Racism in Hollywood -- 9. Zombies, Muslims, and Politics: Racism without Race in Contemporary America -- 10. Latinas/os in Hollywood: Contemporary Representations in Black and White -- 11. Tonto and The Lone Ranger: Nostalgic Kitsch or Post-Racial Backlash? -- 12. Cyborg Woman: Ex Machina and Racial Otherness -- 13. The End of the World, Hollywood, and the Endurance of Military Violence: Elysium and World War Z.
520 $a This book explores representations of race and ethnicity in contemporary cinema and the ways in which these depictions all too often promulgate an important racial ideology: the myth of colorblindness. Colorblindness is a discursive framework employed by mainstream, neoliberal media to celebrate a multicultural society while simultaneously disregarding its systemic and institutionalized racism. This collection is unique in its examination of such films as Ex Machina, The Lone Ranger, The Blind Side, Zootopia, The Fast and the Furious franchise, and Dope, which celebrate the myth of colorblindness, yet perpetuate and entrench the racism and racial inequities that persist in contemporary society. While the #OscarsSoWhite movement has been essential to bringing about structural changes to media industries and offers the opportunity for a wide diversity of voices to alter and transform the dominant, colorblind narratives continue to proliferate. As this book demonstrates, Hollywood still has a long way to go.
650 0 $a Minorities in motion pictures. $3 619136
650 0 $a Race relations in motion pictures. $3 804800
650 0 $a Racism in motion pictures. $3 619533
650 0 $a Motion pictures $x Social aspects $z United States. $3 530903
650 1 4 $a American Cinema and TV. $3 3385853
650 2 4 $a American Culture. $3 2191766
650 2 4 $a Ethnicity Studies. $3 2182091
650 2 4 $a Film/TV Industry. $3 3206048
650 2 4 $a Popular Culture. $3 3201027
650 2 4 $a Culture and Gender. $3 3210058
700 1 $a Turner, Sarah E. $3 3414387
700 1 $a Nilsen, Sarah. $3 3414388
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773 0 $t Springer eBooks
856 4 0 $u https://doi.org/10.1007/978-3-030-17447-7
950 $a Literature, Cultural and Media Studies (Springer-41173)