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The changing social economy of art =...

Abbing, Hans.

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The changing social economy of art = are the arts becoming less exclusive? /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The changing social economy of art/ by Hans Abbing.
Reminder of title:	are the arts becoming less exclusive? /
Author:	Abbing, Hans.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	v, 257 p. :ill., digital ;24 cm.
[NT 15003449]:	Chapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Conclusion.
Contained By:	Springer eBooks
Subject:	Art and society. -
Online resource:	https://doi.org/10.1007/978-3-030-21668-9
ISBN:	9783030216689

The changing social economy of art = are the arts becoming less exclusive? /
Abbing, Hans.

The changing social economy of artare the arts becoming less exclusive? /[electronic resource] :by Hans Abbing. - Cham :Springer International Publishing :2019. - v, 257 p. :ill., digital ;24 cm.

Chapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Conclusion.

Is art for everybody? Why do art lovers attach so much value to authenticity, autonomy and authorship? Why did the arts become so serious in the first place? Why do many artists reject commerce and cultural entrepreneurship? Crucially, are any of the answers to these questions currently changing? Hans Abbing is uniquely placed to answer such questions, and, drawing on his experiences as an economist and sociologist as well as a professional artist, in this volume he addresses them head on. In order to investigate changes in the social economy of the arts, Abbing compares developments in the established arts with those in the popular arts and proceeds to outline key ways that the former can learn from the latter; by lowering the cost of production, fostering innovation, and becoming less exclusive. These assertions are contextualized with analysis of the separation between serious art and entertainment in the nineteenth century, lending credence to the idea that government-supported art worlds have promoted the exclusion of various social groups. Abbing outlines how this is presently changing and why, while the established arts have become less exclusive, they are not yet for everybody.

ISBN: 9783030216689

Standard No.: 10.1007/978-3-030-21668-9doiSubjects--Topical Terms:

540086
Art and society.

LC Class. No.: N72.S6 / A235 2019

Dewey Class. No.: 701.03

The changing social economy of art = are the arts becoming less exclusive? /
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245 1 4 $a The changing social economy of art $h [electronic resource] : $b are the arts becoming less exclusive? / $c by Hans Abbing.
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300 $a v, 257 p. : $b ill., digital ; $c 24 cm.
505 0 $a Chapter 1: Preface -- Chapter 2: The Triumph of Serious Art -- Chapter 3: Authentic Art and Artists -- Chapter 4: Exclusion -- Chapter 5: Distrust of Commerce and Commercialism -- Chapter 6: Sharing Art -- Chapter 7: Conclusion.
520 $a Is art for everybody? Why do art lovers attach so much value to authenticity, autonomy and authorship? Why did the arts become so serious in the first place? Why do many artists reject commerce and cultural entrepreneurship? Crucially, are any of the answers to these questions currently changing? Hans Abbing is uniquely placed to answer such questions, and, drawing on his experiences as an economist and sociologist as well as a professional artist, in this volume he addresses them head on. In order to investigate changes in the social economy of the arts, Abbing compares developments in the established arts with those in the popular arts and proceeds to outline key ways that the former can learn from the latter; by lowering the cost of production, fostering innovation, and becoming less exclusive. These assertions are contextualized with analysis of the separation between serious art and entertainment in the nineteenth century, lending credence to the idea that government-supported art worlds have promoted the exclusion of various social groups. Abbing outlines how this is presently changing and why, while the established arts have become less exclusive, they are not yet for everybody.
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