東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The artist as animal in nineteenth-c...

Nettleton, Claire.

Linked to FindBook

Google Book

Amazon

博客來

The artist as animal in nineteenth-century French literature

Record Type:	Electronic resources : Monograph/item
Title/Author:	The artist as animal in nineteenth-century French literature/ by Claire Nettleton.
remainder title:	Artist as animal in 19th-century French literature
Author:	Nettleton, Claire.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	xiv, 241 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- Part I Behind Bars: Artists and Animals of the Second Empire -- 2. A Caged Animal: The Avant-garde Artist in Edmond and Jules de Goncourt's Manette Salomon -- 3. Buffon Versus the Beast: Taming the Wild Artist in Emile Zola's Therese Raquin -- Part II The Decadent Animals of the Third Republic -- 4. The Decadent Deep Sea: Jules Laforgue's "At the Berlin Aquarium" -- 5. Said the Spider to the Fly: The Triumph of the Minor in Octave Mirbeau's In the Sky -- 6. Felline-Fatale: The New Woman as Cat-Woman in Rachilde's L'Animale -- 7. Conclusion: Henri Rousseau and Synthetic Naivete.
Contained By:	Springer eBooks
Subject:	French literature - History and criticism - 19th century. -
Online resource:	https://doi.org/10.1007/978-3-030-19345-4
ISBN:	9783030193454

The artist as animal in nineteenth-century French literature
Nettleton, Claire.

The artist as animal in nineteenth-century French literature[electronic resource] /Artist as animal in 19th-century French literatureby Claire Nettleton. - Cham :Springer International Publishing :2019. - xiv, 241 p. :ill., digital ;24 cm. - Palgrave studies in animals and literature. - Palgrave studies in animals and literature..

1. Introduction -- Part I Behind Bars: Artists and Animals of the Second Empire -- 2. A Caged Animal: The Avant-garde Artist in Edmond and Jules de Goncourt's Manette Salomon -- 3. Buffon Versus the Beast: Taming the Wild Artist in Emile Zola's Therese Raquin -- Part II The Decadent Animals of the Third Republic -- 4. The Decadent Deep Sea: Jules Laforgue's "At the Berlin Aquarium" -- 5. Said the Spider to the Fly: The Triumph of the Minor in Octave Mirbeau's In the Sky -- 6. Felline-Fatale: The New Woman as Cat-Woman in Rachilde's L'Animale -- 7. Conclusion: Henri Rousseau and Synthetic Naivete.

The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siecle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt's Manette Salomon (1867), Emile Zola's Therese Raquin (1867), Jules Laforgue's "At the Berlin Aquarium" (1895) and "Impressionism" (1883), Octave Mirbeau's In the Sky (1892-1893) and Rachilde's L'Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the "artist-animal," an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.

ISBN: 9783030193454

Standard No.: 10.1007/978-3-030-19345-4doiSubjects--Topical Terms:

3413271
French literature
--History and criticism--19th century.

LC Class. No.: PQ281 / .N48 2019

Dewey Class. No.: 840.9007

The artist as animal in nineteenth-century French literature
LDR:03011nmm a2200349 a 4500 001 2192680
003 DE-He213
005 20190808141736.0
006 m d
007 cr nn 008maaau
008 200508s2019 gw s 0 eng d
020 $a 9783030193454 $q (electronic bk.)
020 $a 9783030193447 $q (paper)
024 7 $a 10.1007/978-3-030-19345-4 $2 doi
035 $a 978-3-030-19345-4
040 $a GP $c GP
041 0 $a eng
050 4 $a PQ281 $b .N48 2019
072 7 $a DSBF $2 bicssc
072 7 $a LIT024040 $2 bisacsh
072 7 $a DSBF $2 thema
082 0 4 $a 840.9007 $2 23
090 $a PQ281 $b .N475 2019
100 1 $a Nettleton, Claire. $3 3413270
245 1 4 $a The artist as animal in nineteenth-century French literature $h [electronic resource] / $c by Claire Nettleton.
246 3 3 $a Artist as animal in 19th-century French literature
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a xiv, 241 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in animals and literature
505 0 $a 1. Introduction -- Part I Behind Bars: Artists and Animals of the Second Empire -- 2. A Caged Animal: The Avant-garde Artist in Edmond and Jules de Goncourt's Manette Salomon -- 3. Buffon Versus the Beast: Taming the Wild Artist in Emile Zola's Therese Raquin -- Part II The Decadent Animals of the Third Republic -- 4. The Decadent Deep Sea: Jules Laforgue's "At the Berlin Aquarium" -- 5. Said the Spider to the Fly: The Triumph of the Minor in Octave Mirbeau's In the Sky -- 6. Felline-Fatale: The New Woman as Cat-Woman in Rachilde's L'Animale -- 7. Conclusion: Henri Rousseau and Synthetic Naivete.
520 $a The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siecle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt's Manette Salomon (1867), Emile Zola's Therese Raquin (1867), Jules Laforgue's "At the Berlin Aquarium" (1895) and "Impressionism" (1883), Octave Mirbeau's In the Sky (1892-1893) and Rachilde's L'Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the "artist-animal," an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.
650 0 $a French literature $x History and criticism $y 19th century. $3 3413271
650 0 $a Artists in literature. $3 774128
650 0 $a Artists $z France $y 19th century. $3 3413272
650 1 4 $a Nineteenth-Century Literature. $3 2182369
650 2 4 $a European Literature. $3 2182348
650 2 4 $a Fine Arts. $3 891065
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a Palgrave studies in animals and literature. $3 2210342
856 4 0 $u https://doi.org/10.1007/978-3-030-19345-4
950 $a Literature, Cultural and Media Studies (Springer-41173)