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Hanguk hip hop = global rap in South...

Song, Myoung-Sun.

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Hanguk hip hop = global rap in South Korea /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Hanguk hip hop/ by Myoung-Sun Song.
Reminder of title:	global rap in South Korea /
Author:	Song, Myoung-Sun.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	ix, 198 p. :ill., digital ;24 cm.
[NT 15003449]:	1. We All Made Us: Historicizing Hanguk Hip Hop -- 2. Made in Korea: Authenticity in Hanguk Hip Hop -- 3. From Hongdae to Sinchon: Space and Place in Korean Hip Hop -- 4. 2 Chainz & Rollies: Hip Hop as Self-Development Text in Neoliberal South Korea -- 5. Idol Rapper: K-Pop and the Production of Authenticity -- 6. Unpretty Rapstar: Gender and Representation in Korean Hip Hop -- 7. We All Made History: Globalizing Hanguk Hip Hop.
Contained By:	Springer eBooks
Subject:	Hip-hop - Korea (South) -
Online resource:	https://doi.org/10.1007/978-3-030-15697-8
ISBN:	9783030156978

Hanguk hip hop = global rap in South Korea /
Song, Myoung-Sun.

Hanguk hip hopglobal rap in South Korea /[electronic resource] :by Myoung-Sun Song. - Cham :Springer International Publishing :2019. - ix, 198 p. :ill., digital ;24 cm. - East Asian popular culture. - East Asian popular culture..

1. We All Made Us: Historicizing Hanguk Hip Hop -- 2. Made in Korea: Authenticity in Hanguk Hip Hop -- 3. From Hongdae to Sinchon: Space and Place in Korean Hip Hop -- 4. 2 Chainz & Rollies: Hip Hop as Self-Development Text in Neoliberal South Korea -- 5. Idol Rapper: K-Pop and the Production of Authenticity -- 6. Unpretty Rapstar: Gender and Representation in Korean Hip Hop -- 7. We All Made History: Globalizing Hanguk Hip Hop.

How has Hanguk (South Korean) hip hop developed over the last two decades as a musical, cultural, and artistic entity? How is hip hop understood within historical, sociocultural, and economic matrices of Korean society? How is hip hop represented in Korean media and popular culture? This book utilizes ethnographic methods, including fieldwork research and life timeline interviews with fifty-three influential hip hop artists, in order to answer these questions. It explores the nuanced meaning of hip hop in South Korea, outlining the local, global, and (trans)national flows of musical and cultural exchanges. Throughout the chapters, Korean hip hop is examined through the notion of buran--personal and societal anxiety and uncertainty--and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that the genre continuously evolves within the conditions of Korean society. Myoung-Sun Song is Assistant Professor in the Department of American Culture at Sogang University, South Korea. She received her PhD in Communication from University of Southern California, USA. Her research focuses on the intersections of race, gender, sexuality, class, and (national) identity in Korean media and popular culture.

ISBN: 9783030156978

Standard No.: 10.1007/978-3-030-15697-8doiSubjects--Topical Terms:

3409205
Hip-hop
--Korea (South)

LC Class. No.: ML3531 / .S664 2019

Dewey Class. No.: 781.649

Hanguk hip hop = global rap in South Korea /
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505 0 $a 1. We All Made Us: Historicizing Hanguk Hip Hop -- 2. Made in Korea: Authenticity in Hanguk Hip Hop -- 3. From Hongdae to Sinchon: Space and Place in Korean Hip Hop -- 4. 2 Chainz & Rollies: Hip Hop as Self-Development Text in Neoliberal South Korea -- 5. Idol Rapper: K-Pop and the Production of Authenticity -- 6. Unpretty Rapstar: Gender and Representation in Korean Hip Hop -- 7. We All Made History: Globalizing Hanguk Hip Hop.
520 $a How has Hanguk (South Korean) hip hop developed over the last two decades as a musical, cultural, and artistic entity? How is hip hop understood within historical, sociocultural, and economic matrices of Korean society? How is hip hop represented in Korean media and popular culture? This book utilizes ethnographic methods, including fieldwork research and life timeline interviews with fifty-three influential hip hop artists, in order to answer these questions. It explores the nuanced meaning of hip hop in South Korea, outlining the local, global, and (trans)national flows of musical and cultural exchanges. Throughout the chapters, Korean hip hop is examined through the notion of buran--personal and societal anxiety and uncertainty--and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that the genre continuously evolves within the conditions of Korean society. Myoung-Sun Song is Assistant Professor in the Department of American Culture at Sogang University, South Korea. She received her PhD in Communication from University of Southern California, USA. Her research focuses on the intersections of race, gender, sexuality, class, and (national) identity in Korean media and popular culture.
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