東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Creativity in the recording studio =...

Thompson, Paul.

Linked to FindBook

Google Book

Amazon

博客來

Creativity in the recording studio = alternative takes /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Creativity in the recording studio/ by Paul Thompson.
Reminder of title:	alternative takes /
Author:	Thompson, Paul.
Published:	Cham :Springer International Publishing : : 2019.,
Description:	xiv, 285 p. :ill., digital ;22 cm.
[NT 15003449]:	1. Introduction -- SIDE A - Creativity as a System. 2. Creativity -- 3 The Creative System of Commercial Record Production. - 4. The Domain of Commercial Record Production -- 5. The Field of Commercial Record Production -- SIDE B - Creative Systems in Action. 6. The Creative System of Songwriting -- 7. The Creative System of Studio Performance -- 8. The Creative System of Engineering. - 9. The Creative System of Producing. - 10. Conclusion.
Contained By:	Springer eBooks
Subject:	Sound recordings - Production and direction. -
Online resource:	https://doi.org/10.1007/978-3-030-01650-0
ISBN:	9783030016500

Creativity in the recording studio = alternative takes /
Thompson, Paul.

Creativity in the recording studioalternative takes /[electronic resource] :by Paul Thompson. - Cham :Springer International Publishing :2019. - xiv, 285 p. :ill., digital ;22 cm. - Leisure studies in a global era. - Leisure studies in a global era..

1. Introduction -- SIDE A - Creativity as a System. 2. Creativity -- 3 The Creative System of Commercial Record Production. - 4. The Domain of Commercial Record Production -- 5. The Field of Commercial Record Production -- SIDE B - Creative Systems in Action. 6. The Creative System of Songwriting -- 7. The Creative System of Studio Performance -- 8. The Creative System of Engineering. - 9. The Creative System of Producing. - 10. Conclusion.

"Creativity in the Recording Studio: Alternative Takes offers a fresh and fascinating look behind the scenes of the record making process. This book is an indispensable addition to the record production bookshelf." - Albin Zak, Professor of Music, University at Albany, USA and author of The Poetics of Rock: Cutting Tracks, Making Records. "In this detailed and global tour de force, Paul Thompson very effectively dispels the romantic notion of the singular genius in record production. Using Mihaly Csikszentmihalyi's systems theory he illustrates the complexity of the creative process and the multiplicity of its contributors through the use of familiar and relevant clarifying examples." - Richard James Burgess, record producer, music engineer, and author of The Art of Music Production and The History of Music Production Paul Thompson offers an alternative take on the romanticized and mythologized process of record-making. Side A illustrates how creativity arises out of a system in action, and introduces the history, culture, traditions and institutions that contribute to the process of commercial record production. Side B demonstrates this system in action during the central tasks of songwriting, performing, engineering and producing. Using examples from John Lennon, David Bowie, Tupac Shakur, Bjork, Marta Salogni, Sylvia Massy and Rick Rubin, each chapter takes the reader inside a different part of the commercial record production process and uncovers the interactive and interrelated multitude of factors involved in each creative task.

ISBN: 9783030016500

Standard No.: 10.1007/978-3-030-01650-0doiSubjects--Topical Terms:

745826
Sound recordings
--Production and direction.

LC Class. No.: ML3790 / .T56 2019

Dewey Class. No.: 781.49

Creativity in the recording studio = alternative takes /
LDR:03012nmm a2200337 a 4500 001 2179269
003 DE-He213
005 20190722172017.0
006 m d
007 cr nn 008maaau
008 191122s2019 gw s 0 eng d
020 $a 9783030016500 $q (electronic bk.)
020 $a 9783030016494 $q (paper)
024 7 $a 10.1007/978-3-030-01650-0 $2 doi
035 $a 978-3-030-01650-0
040 $a GP $c GP
041 0 $a eng
050 4 $a ML3790 $b .T56 2019
072 7 $a JHBS $2 bicssc
072 7 $a SPO066000 $2 bisacsh
072 7 $a JHBS $2 thema
082 0 4 $a 781.49 $2 23
090 $a ML3790 $b .T475 2019
100 1 $a Thompson, Paul. $3 743365
245 1 0 $a Creativity in the recording studio $h [electronic resource] : $b alternative takes / $c by Paul Thompson.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2019.
300 $a xiv, 285 p. : $b ill., digital ; $c 22 cm.
490 1 $a Leisure studies in a global era
505 0 $a 1. Introduction -- SIDE A - Creativity as a System. 2. Creativity -- 3 The Creative System of Commercial Record Production. - 4. The Domain of Commercial Record Production -- 5. The Field of Commercial Record Production -- SIDE B - Creative Systems in Action. 6. The Creative System of Songwriting -- 7. The Creative System of Studio Performance -- 8. The Creative System of Engineering. - 9. The Creative System of Producing. - 10. Conclusion.
520 $a "Creativity in the Recording Studio: Alternative Takes offers a fresh and fascinating look behind the scenes of the record making process. This book is an indispensable addition to the record production bookshelf." - Albin Zak, Professor of Music, University at Albany, USA and author of The Poetics of Rock: Cutting Tracks, Making Records. "In this detailed and global tour de force, Paul Thompson very effectively dispels the romantic notion of the singular genius in record production. Using Mihaly Csikszentmihalyi's systems theory he illustrates the complexity of the creative process and the multiplicity of its contributors through the use of familiar and relevant clarifying examples." - Richard James Burgess, record producer, music engineer, and author of The Art of Music Production and The History of Music Production Paul Thompson offers an alternative take on the romanticized and mythologized process of record-making. Side A illustrates how creativity arises out of a system in action, and introduces the history, culture, traditions and institutions that contribute to the process of commercial record production. Side B demonstrates this system in action during the central tasks of songwriting, performing, engineering and producing. Using examples from John Lennon, David Bowie, Tupac Shakur, Bjork, Marta Salogni, Sylvia Massy and Rick Rubin, each chapter takes the reader inside a different part of the commercial record production process and uncovers the interactive and interrelated multitude of factors involved in each creative task.
650 0 $a Sound recordings $x Production and direction. $3 745826
650 0 $a Sound recording industry. $3 591720
650 0 $a Music trade. $3 576946
650 0 $a Creative ability. $3 526585
650 1 4 $a Sociology of Sport and Leisure. $3 2192068
650 2 4 $a Sociology of Culture. $3 2162782
650 2 4 $a Music. $3 516178
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
830 0 $a Leisure studies in a global era. $3 2004484
856 4 0 $u https://doi.org/10.1007/978-3-030-01650-0
950 $a Social Sciences (Springer-41176)