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Fragmented Screens: Found Footage an...

Goldsmith, Leo.

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Fragmented Screens: Found Footage and Image Circulation.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Fragmented Screens: Found Footage and Image Circulation./
Author:	Goldsmith, Leo.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2018,
Description:	279 p.
Notes:	Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.
Contained By:	Dissertation Abstracts International79-08A(E).
Subject:	Film studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10682121
ISBN:	9780355773637

Fragmented Screens: Found Footage and Image Circulation.
Goldsmith, Leo.

Fragmented Screens: Found Footage and Image Circulation. - Ann Arbor : ProQuest Dissertations & Theses, 2018 - 279 p.

Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.

Thesis (Ph.D.)--New York University, 2018.

This dissertation considers the evolution of practices of "found footage" and moving-image appropriation from a politically radical aesthetic strategy of the mid-20th century avant-garde cinema to a more pervasive, even standardized practice of digital media culture. I argue that, over the last half-century, appropriation strategies in cinema have changed in correspondence with key shifts in the materiality of moving-image media, and artists and filmmakers have taken up these techniques as a means of addressing the ways in which images circulate through new technologies. Found-footage cinema, therefore, constitutes a sustained discourse about---and a methodology through which to explore---the role of the moving-image in the constitution and shaping of everyday experience, one carried out through an investigation of its evolving media materiality.

ISBN: 9780355773637Subjects--Topical Terms:

2122736
Film studies.

Fragmented Screens: Found Footage and Image Circulation.
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245 1 0 $a Fragmented Screens: Found Footage and Image Circulation.
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300 $a 279 p.
500 $a Source: Dissertation Abstracts International, Volume: 79-08(E), Section: A.
500 $a Adviser: Richard Allen.
502 $a Thesis (Ph.D.)--New York University, 2018.
520 $a This dissertation considers the evolution of practices of "found footage" and moving-image appropriation from a politically radical aesthetic strategy of the mid-20th century avant-garde cinema to a more pervasive, even standardized practice of digital media culture. I argue that, over the last half-century, appropriation strategies in cinema have changed in correspondence with key shifts in the materiality of moving-image media, and artists and filmmakers have taken up these techniques as a means of addressing the ways in which images circulate through new technologies. Found-footage cinema, therefore, constitutes a sustained discourse about---and a methodology through which to explore---the role of the moving-image in the constitution and shaping of everyday experience, one carried out through an investigation of its evolving media materiality.
520 $a The dissertation argues for this progression through a close examination of four key moments in experimental cinematic practice: the postwar North American cinematic avant-garde; the filmmakers associated with Lettrism, the Lettrist International, and the Situationist International; American and British video artists of the late 1970s and early 1980s; and contemporary moving-image artists working with digital media sourced from networked communities and archives.
590 $a School code: 0146.
650 4 $a Film studies. $3 2122736
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