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Wagner domesticated, Wagner democrat...

Blackmar, Matthew D.

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Wagner domesticated, Wagner democratized: The parlor reception of Musikdrama.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Wagner domesticated, Wagner democratized: The parlor reception of Musikdrama./
Author:	Blackmar, Matthew D.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2012,
Description:	176 p.
Notes:	Source: Masters Abstracts International, Volume: 51-03.
Contained By:	Masters Abstracts International51-03(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1520855
ISBN:	9781267702524

Wagner domesticated, Wagner democratized: The parlor reception of Musikdrama.
Blackmar, Matthew D.

Wagner domesticated, Wagner democratized: The parlor reception of Musikdrama. - Ann Arbor : ProQuest Dissertations & Theses, 2012 - 176 p.

Source: Masters Abstracts International, Volume: 51-03.

Thesis (M.A.)--California State University, Long Beach, 2012.

This thesis examines the reception of Wagner's music dramas through the prism of musical reworkings by arrangers and transcribers during the latter half of the nineteenth century. Published in myriad types of sheet music, these pieces were consumed by a wide range of European and North American audiences---a much larger public than his operas saw on stage. This study contextualizes sheet music arrangements in an effort to shed light on the experiences of domestic Wagner audiences, articulating a history of "domestic reception" distinct from traditional Wagner reception scholarship.

ISBN: 9781267702524Subjects--Topical Terms:

516178
Music.

Wagner domesticated, Wagner democratized: The parlor reception of Musikdrama.
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100 1 $a Blackmar, Matthew D. $3 3354132
245 1 0 $a Wagner domesticated, Wagner democratized: The parlor reception of Musikdrama.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2012
300 $a 176 p.
500 $a Source: Masters Abstracts International, Volume: 51-03.
500 $a Adviser: Roger C. Hickman.
502 $a Thesis (M.A.)--California State University, Long Beach, 2012.
520 $a This thesis examines the reception of Wagner's music dramas through the prism of musical reworkings by arrangers and transcribers during the latter half of the nineteenth century. Published in myriad types of sheet music, these pieces were consumed by a wide range of European and North American audiences---a much larger public than his operas saw on stage. This study contextualizes sheet music arrangements in an effort to shed light on the experiences of domestic Wagner audiences, articulating a history of "domestic reception" distinct from traditional Wagner reception scholarship.
520 $a By recasting Wagner's music in forms suited for new performance contexts, arrangements subverted the composer's agenda of opera reform, opened access to Wagner's music, and permitted excerpts of his dramas to acquire new meanings and modes of listening independent of dramatic context. Through the process of consumption, Wagner's music was thus domesticated and democratized.
590 $a School code: 6080.
650 4 $a Music. $3 516178
650 4 $a European history. $2 bicssc $3 1972904
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710 2 $a California State University, Long Beach. $3 1017843
773 0 $t Masters Abstracts International $g 51-03(E).
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1520855