語系:
繁體中文
English
說明(常見問題)
回圖書館首頁
手機版館藏查詢
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Strategies of Digital Surrealism in ...
~
Kartashov, Andrei.
FindBook
Google Book
Amazon
博客來
Strategies of Digital Surrealism in Contemporary Western Cinema.
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Strategies of Digital Surrealism in Contemporary Western Cinema./
作者:
Kartashov, Andrei.
出版者:
Ann Arbor : ProQuest Dissertations & Theses, : 2018,
面頁冊數:
86 p.
附註:
Source: Masters Abstracts International, Volume: 57-06.
Contained By:
Masters Abstracts International57-06(E).
標題:
Film studies. -
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10814314
ISBN:
9780438108547
Strategies of Digital Surrealism in Contemporary Western Cinema.
Kartashov, Andrei.
Strategies of Digital Surrealism in Contemporary Western Cinema.
- Ann Arbor : ProQuest Dissertations & Theses, 2018 - 86 p.
Source: Masters Abstracts International, Volume: 57-06.
Thesis (M.A.)--University of Kansas, 2018.
This thesis joins an ongoing discussion of cinema's identity in the digital age. The new technology, which by now has become standard for moving images of any kind, has put into question existing assumptions and created paradoxes from a continuity between two different media that are, however, thought of as one medium. I address that problem from the perspective of surrealist film theory, which insisted on paradoxes and saw cinema as an art form that necessarily operated on contradictions: a quality that resonated with surrealism's general aesthetic theory. To support my argument, I then analyze in some depth three contemporary works of cinema that possess surrealist attributes and employed digital technology in their making in a self-conscious way. Leos Carax's Holy Motors, Pedro Costa's Horse Money, and Seances by Guy Maddin, Evan Johnson and Galen Johnson all point to specific contradictions revealed by digital technology that they resolve, or hold in tension, in accordance with the surrealist notion of point sublime. I find that neither work suggests a radical difference between analog and digital cinema but rather, they highlight the difference that exists within cinema as inherent in it.
ISBN: 9780438108547Subjects--Topical Terms:
2122736
Film studies.
Strategies of Digital Surrealism in Contemporary Western Cinema.
LDR
:02093nmm a2200289 4500
001
2164847
005
20181127124955.5
008
190424s2018 ||||||||||||||||| ||eng d
020
$a
9780438108547
035
$a
(MiAaPQ)AAI10814314
035
$a
(MiAaPQ)ku:15871
035
$a
AAI10814314
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Kartashov, Andrei.
$3
3352900
245
1 0
$a
Strategies of Digital Surrealism in Contemporary Western Cinema.
260
1
$a
Ann Arbor :
$b
ProQuest Dissertations & Theses,
$c
2018
300
$a
86 p.
500
$a
Source: Masters Abstracts International, Volume: 57-06.
500
$a
Adviser: Catherine Preston.
502
$a
Thesis (M.A.)--University of Kansas, 2018.
520
$a
This thesis joins an ongoing discussion of cinema's identity in the digital age. The new technology, which by now has become standard for moving images of any kind, has put into question existing assumptions and created paradoxes from a continuity between two different media that are, however, thought of as one medium. I address that problem from the perspective of surrealist film theory, which insisted on paradoxes and saw cinema as an art form that necessarily operated on contradictions: a quality that resonated with surrealism's general aesthetic theory. To support my argument, I then analyze in some depth three contemporary works of cinema that possess surrealist attributes and employed digital technology in their making in a self-conscious way. Leos Carax's Holy Motors, Pedro Costa's Horse Money, and Seances by Guy Maddin, Evan Johnson and Galen Johnson all point to specific contradictions revealed by digital technology that they resolve, or hold in tension, in accordance with the surrealist notion of point sublime. I find that neither work suggests a radical difference between analog and digital cinema but rather, they highlight the difference that exists within cinema as inherent in it.
590
$a
School code: 0099.
650
4
$a
Film studies.
$3
2122736
690
$a
0900
710
2
$a
University of Kansas.
$b
Film & Media Studies.
$3
1677488
773
0
$t
Masters Abstracts International
$g
57-06(E).
790
$a
0099
791
$a
M.A.
792
$a
2018
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10814314
筆 0 讀者評論
館藏地:
全部
電子資源
出版年:
卷號:
館藏
1 筆 • 頁數 1 •
1
條碼號
典藏地名稱
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
W9364394
電子資源
11.線上閱覽_V
電子書
EB
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
評論
新增評論
分享你的心得
Export
取書館
處理中
...
變更密碼
登入