東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

IBSEN IN CHINA: RECEPTION AND INFLU...

TAM, KWOK-KAN.

Linked to FindBook

Google Book

Amazon

博客來

IBSEN IN CHINA: RECEPTION AND INFLUENCE.

Record Type:	Electronic resources : Monograph/item
Title/Author:	IBSEN IN CHINA: RECEPTION AND INFLUENCE./
Author:	TAM, KWOK-KAN.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 1984,
Description:	415 p.
Notes:	Source: Dissertation Abstracts International, Volume: 45-11, Section: A, page: 3345.
Contained By:	Dissertation Abstracts International45-11A.
Subject:	Comparative literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8502312

IBSEN IN CHINA: RECEPTION AND INFLUENCE.
TAM, KWOK-KAN.

IBSEN IN CHINA: RECEPTION AND INFLUENCE. - Ann Arbor : ProQuest Dissertations & Theses, 1984 - 415 p.

Source: Dissertation Abstracts International, Volume: 45-11, Section: A, page: 3345.

Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1984.

This dissertation is a reception-influence study on the cultural, literary and social impact of Henrik Ibsen in twentieth-century China. It consists of two parts, namely, reception and influence. The part on reception deals mainly with the changing Chinese attitudes toward Ibsen in the various periods of modern Chinese history, from the time of political and intellectual chaos at the beginning of this century to the post-Mao era. It includes an investigation of the route of transmission through which Ibsen came to China via Japan and the English speaking world. Chinese translation and production of Ibsen's plays are dealt with as a basis for further investigation of influence. A positivistic approach is employed in this part to establish and support critical evaluation. The part on influence focuses chiefly on the impact of Ibsenian drama and Ibsenism on modern Chinese drama, theatre, and the socio-cultural movements. Besides the influence upon such major Chinese dramatists as T'ien Han, Ou-yang Yu-ch'ien, and Ts'ao Yu, Ibsen has also exerted a tremendous impact on the New Literature Movement, the form of contemporary Chinese theatre, and the emancipation of women, which is reflected in the voluminous works of Chinese fiction. The subject of this research is international in scope and significant to cross-cultural and literary studies. It is by nature related to theatre history, East-West cultural and literary relations, social changes in China, and the global impact of Ibsen. So far no studies as broad as this have been undertaken, though much has been done on the reception and influence of Ibsen in Europe, America, and Japan.Subjects--Topical Terms:

570001
Comparative literature.

IBSEN IN CHINA: RECEPTION AND INFLUENCE.
LDR:02502nmm a2200277 4500 001 2160124
005 20180724085442.5
008 190424s1984 ||||||||||||||||| ||eng d
035 $a (MiAaPQ)AAI8502312
035 $a AAI8502312
040 $a MiAaPQ $c MiAaPQ
100 1 $a TAM, KWOK-KAN. $3 3348029
245 1 0 $a IBSEN IN CHINA: RECEPTION AND INFLUENCE.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1984
300 $a 415 p.
500 $a Source: Dissertation Abstracts International, Volume: 45-11, Section: A, page: 3345.
502 $a Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1984.
520 $a This dissertation is a reception-influence study on the cultural, literary and social impact of Henrik Ibsen in twentieth-century China. It consists of two parts, namely, reception and influence. The part on reception deals mainly with the changing Chinese attitudes toward Ibsen in the various periods of modern Chinese history, from the time of political and intellectual chaos at the beginning of this century to the post-Mao era. It includes an investigation of the route of transmission through which Ibsen came to China via Japan and the English speaking world. Chinese translation and production of Ibsen's plays are dealt with as a basis for further investigation of influence. A positivistic approach is employed in this part to establish and support critical evaluation. The part on influence focuses chiefly on the impact of Ibsenian drama and Ibsenism on modern Chinese drama, theatre, and the socio-cultural movements. Besides the influence upon such major Chinese dramatists as T'ien Han, Ou-yang Yu-ch'ien, and Ts'ao Yu, Ibsen has also exerted a tremendous impact on the New Literature Movement, the form of contemporary Chinese theatre, and the emancipation of women, which is reflected in the voluminous works of Chinese fiction. The subject of this research is international in scope and significant to cross-cultural and literary studies. It is by nature related to theatre history, East-West cultural and literary relations, social changes in China, and the global impact of Ibsen. So far no studies as broad as this have been undertaken, though much has been done on the reception and influence of Ibsen in Europe, America, and Japan.
590 $a School code: 0090.
650 4 $a Comparative literature. $3 570001
650 4 $a German literature. $3 699188
650 4 $a Asian literature. $3 2122707
690 $a 0295
690 $a 0311
690 $a 0305
710 2 $a University of Illinois at Urbana-Champaign. $3 626646
773 0 $t Dissertation Abstracts International $g 45-11A.
790 $a 0090
791 $a Ph.D.
792 $a 1984
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8502312