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Stuart Davis's early theoretical wri...
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Andrus, Timothy Garland.
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Stuart Davis's early theoretical writings, 1918-1923: Realism, Cubism, and Dada.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Stuart Davis's early theoretical writings, 1918-1923: Realism, Cubism, and Dada./
Author:
Andrus, Timothy Garland.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:
308 p.
Notes:
Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.
Contained By:
Dissertation Abstracts International78-07A(E).
Subject:
Art history. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10249093
ISBN:
9781369497250
Stuart Davis's early theoretical writings, 1918-1923: Realism, Cubism, and Dada.
Andrus, Timothy Garland.
Stuart Davis's early theoretical writings, 1918-1923: Realism, Cubism, and Dada.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 308 p.
Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.
Thesis (Ph.D.)--Virginia Commonwealth University, 2016.
This dissertation provides the first in-depth examination of American artist Stuart Davis's early theoretical writings made between 1918 and 1923. These writings are seminal documents in his artistic development. They lay the foundation for the creation of some of his most important works, including his groundbreaking Tobacco paintings of 1921 to his renowned Egg Beater series of 1927--1928, which Davis claimed set the direction for all his subsequent artistic output. One of the key ideas in these early writings is Davis's concept of realism. This study traces the origin of Davis's realism to his interaction with a network of ideas arising from cubism, symbolism, New York dada, and anarchist philosophy. In doing so, this study considers how Davis's notion of realism informed both the development of his style and his iconography in his works of the 1920s.
ISBN: 9781369497250Subjects--Topical Terms:
2122701
Art history.
Stuart Davis's early theoretical writings, 1918-1923: Realism, Cubism, and Dada.
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Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.
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This dissertation provides the first in-depth examination of American artist Stuart Davis's early theoretical writings made between 1918 and 1923. These writings are seminal documents in his artistic development. They lay the foundation for the creation of some of his most important works, including his groundbreaking Tobacco paintings of 1921 to his renowned Egg Beater series of 1927--1928, which Davis claimed set the direction for all his subsequent artistic output. One of the key ideas in these early writings is Davis's concept of realism. This study traces the origin of Davis's realism to his interaction with a network of ideas arising from cubism, symbolism, New York dada, and anarchist philosophy. In doing so, this study considers how Davis's notion of realism informed both the development of his style and his iconography in his works of the 1920s.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10249093
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