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Images never again witnessed/concept...

Noble-Olson, Matthew D.

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Images never again witnessed/concepts never again thought: "(nostalgia)" and utopia in the aporia of aesthetic theory.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Images never again witnessed/concepts never again thought: "(nostalgia)" and utopia in the aporia of aesthetic theory./
Author:	Noble-Olson, Matthew D.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2008,
Description:	106 p.
Notes:	Source: Masters Abstracts International, Volume: 48-02, page: 6360.
Contained By:	Masters Abstracts International48-02.
Subject:	Film studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MR53709
ISBN:	9780494537091

Images never again witnessed/concepts never again thought: "(nostalgia)" and utopia in the aporia of aesthetic theory.
Noble-Olson, Matthew D.

Images never again witnessed/concepts never again thought: "(nostalgia)" and utopia in the aporia of aesthetic theory. - Ann Arbor : ProQuest Dissertations & Theses, 2008 - 106 p.

Source: Masters Abstracts International, Volume: 48-02, page: 6360.

Thesis (M.A.)--McGill University (Canada), 2008.

Using Hollis Frampton's 1971 film (nostalgia), this thesis works to negate the dominance of the concept over the artwork. This will be accomplished by thinking through (nostalgia), rather than about it. In other words, (nostalgia) will be the logical grounds upon which the concepts must prove themselves. The very form of the film will determine the manner in which the concepts develop. This thesis strives to understand (nostalgia) not so much by analyzing it from outside of its own immanent purpose, but through an imitative analysis. Using this method, texts by Theodor Adorno, Roland Barthes, and Ernst Bloch will be interpreted. Therefore, the concepts of these thinkers will act according to the objective demands of the film itself. This is an analysis that does not focus on the artwork as a topic, but as an epistemic model for analyzing aesthetic concepts.

ISBN: 9780494537091Subjects--Topical Terms:

2122736
Film studies.

Images never again witnessed/concepts never again thought: "(nostalgia)" and utopia in the aporia of aesthetic theory.
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300 $a 106 p.
500 $a Source: Masters Abstracts International, Volume: 48-02, page: 6360.
502 $a Thesis (M.A.)--McGill University (Canada), 2008.
520 $a Using Hollis Frampton's 1971 film (nostalgia), this thesis works to negate the dominance of the concept over the artwork. This will be accomplished by thinking through (nostalgia), rather than about it. In other words, (nostalgia) will be the logical grounds upon which the concepts must prove themselves. The very form of the film will determine the manner in which the concepts develop. This thesis strives to understand (nostalgia) not so much by analyzing it from outside of its own immanent purpose, but through an imitative analysis. Using this method, texts by Theodor Adorno, Roland Barthes, and Ernst Bloch will be interpreted. Therefore, the concepts of these thinkers will act according to the objective demands of the film itself. This is an analysis that does not focus on the artwork as a topic, but as an epistemic model for analyzing aesthetic concepts.
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