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Conducting, Teaching, Curating: Re-c...
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Hepfer, Jonathan David.
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Conducting, Teaching, Curating: Re-channelings of a Percussive Education.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Conducting, Teaching, Curating: Re-channelings of a Percussive Education./
Author:
Hepfer, Jonathan David.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:
110 p.
Notes:
Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.
Contained By:
Dissertation Abstracts International78-07A(E).
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10244775
ISBN:
9781369543643
Conducting, Teaching, Curating: Re-channelings of a Percussive Education.
Hepfer, Jonathan David.
Conducting, Teaching, Curating: Re-channelings of a Percussive Education.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 110 p.
Source: Dissertation Abstracts International, Volume: 78-07(E), Section: A.
Thesis (D.M.A.)--University of California, San Diego, 2016.
This dissertation examines the ways that my formal training and education as a percussionist have provided a logical foundation for three separate vectors of activity in my professional life: conducting, teaching and curating. The document aims to demonstrate the unexpected ways that lessons on instruments historically considered to be at the periphery of classical music culture have provided me with a unique perspective on this art form's past, present and future. I describe my background and its effect on my recent activities as a conductor (both of classical and avant-garde repertory), my philosophies as a lecturer in percussion at the California Institute of the Arts, and my sensibilities as the artistic director of Monday Evening Concerts in Los Angeles.
ISBN: 9781369543643Subjects--Topical Terms:
516178
Music.
Conducting, Teaching, Curating: Re-channelings of a Percussive Education.
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This dissertation examines the ways that my formal training and education as a percussionist have provided a logical foundation for three separate vectors of activity in my professional life: conducting, teaching and curating. The document aims to demonstrate the unexpected ways that lessons on instruments historically considered to be at the periphery of classical music culture have provided me with a unique perspective on this art form's past, present and future. I describe my background and its effect on my recent activities as a conductor (both of classical and avant-garde repertory), my philosophies as a lecturer in percussion at the California Institute of the Arts, and my sensibilities as the artistic director of Monday Evening Concerts in Los Angeles.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10244775
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