東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Syndicated Queerness: Television Tal...

Miller, Taylor Cole.

Linked to FindBook

Google Book

Amazon

博客來

Syndicated Queerness: Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Syndicated Queerness: Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear./
Author:	Miller, Taylor Cole.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
Description:	358 p.
Notes:	Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.
Contained By:	Dissertation Abstracts International79-01A(E).
Subject:	Communication. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10616469
ISBN:	9780355140767

Syndicated Queerness: Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear.
Miller, Taylor Cole.

Syndicated Queerness: Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 358 p.

Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2017.

Syndicated Queerness uses textual analysis, historiographic methods, audience research, and industry/production studies to explore syndication as a cultural practice and the queer potential found in its alternative economic, regulatory, and programmatic frameworks. It proposes a new way scholars can think of television syndication as a cultural practice, with a particular focus for queer reading and queer presentational possibilities and implications for all the stops on our cultural circuit--industry, text, and audience. Because the word syndication is still so closely tied to the television industry, each of my four thematic chapters are organized around different forms of television syndication legible through that lens: queerness and the voice in first-run stripped daytime tabloid talk shows (looking at The Ricki Lake Show and Katie), the queering of genre in Norman Lear's first-run scripted serials (Mary Hartman, Mary Hartman and All That Glitters), a proposal for the concept of retextuality as a useful tool for analyzing second-run syndication ( Roseanne and Bewitched), and the promises and failures of cable syndication (using Logo TV channel, The Golden Girls, and other syndie camp classics).

ISBN: 9780355140767Subjects--Topical Terms:

524709
Communication.

Syndicated Queerness: Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear.
LDR:03249nmm a2200337 4500 001 2157873
005 20180608141653.5
008 190424s2017 ||||||||||||||||| ||eng d
020 $a 9780355140767
035 $a (MiAaPQ)AAI10616469
035 $a (MiAaPQ)wisc:14717
035 $a AAI10616469
040 $a MiAaPQ $c MiAaPQ
100 1 $a Miller, Taylor Cole. $3 3345690
245 1 0 $a Syndicated Queerness: Television Talk Shows, Rerun Syndication, and the Serials of Norman Lear.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2017
300 $a 358 p.
500 $a Source: Dissertation Abstracts International, Volume: 79-01(E), Section: A.
500 $a Adviser: Jonathan Gray.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 2017.
520 $a Syndicated Queerness uses textual analysis, historiographic methods, audience research, and industry/production studies to explore syndication as a cultural practice and the queer potential found in its alternative economic, regulatory, and programmatic frameworks. It proposes a new way scholars can think of television syndication as a cultural practice, with a particular focus for queer reading and queer presentational possibilities and implications for all the stops on our cultural circuit--industry, text, and audience. Because the word syndication is still so closely tied to the television industry, each of my four thematic chapters are organized around different forms of television syndication legible through that lens: queerness and the voice in first-run stripped daytime tabloid talk shows (looking at The Ricki Lake Show and Katie), the queering of genre in Norman Lear's first-run scripted serials (Mary Hartman, Mary Hartman and All That Glitters), a proposal for the concept of retextuality as a useful tool for analyzing second-run syndication ( Roseanne and Bewitched), and the promises and failures of cable syndication (using Logo TV channel, The Golden Girls, and other syndie camp classics).
520 $a Syndicated Queerness offers a holistic cultural history of syndication as an industrial practice through the very particular lens of queerness in order to demonstrate the cultural implications of syndication for producers, studios, texts, and audiences throughout various different media. Taken as a whole, the project broadly offers readers a new way of considering syndication as both an industrial and cultural practice and its curious affinity with queerness as one of the building blocks of television. In each chapter, I develop a thorough industrial history that pays critical attention to the invisible laborers within the syndication industry and the new productions of meaning filtered through them that help "older" shows find "newer," queerer lives as second-run texts. Along the way, I weave in the voices of queer viewers and listeners throughout Syndicated Queerness who, like myself, have felt some impact and queer resonance with the syndie shows we have so regularly consumed.
590 $a School code: 0262.
650 4 $a Communication. $3 524709
650 4 $a LGBTQ studies. $3 2122706
650 4 $a Women's studies. $3 526816
650 4 $a Mass communication. $3 2144804
690 $a 0459
690 $a 0492
690 $a 0453
690 $a 0708
710 2 $a The University of Wisconsin - Madison. $b Communication Arts. $3 2094619
773 0 $t Dissertation Abstracts International $g 79-01A(E).
790 $a 0262
791 $a Ph.D.
792 $a 2017
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10616469