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Musical Means in Mussorgsky's "Songs...
~
Fuh, Jason.
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Musical Means in Mussorgsky's "Songs and Dances of Death": A Singer's Study Guide.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Musical Means in Mussorgsky's "Songs and Dances of Death": A Singer's Study Guide./
Author:
Fuh, Jason.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2017,
Description:
137 p.
Notes:
Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.
Contained By:
Dissertation Abstracts International79-03A(E).
Subject:
Slavic literature. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10659894
ISBN:
9780355269529
Musical Means in Mussorgsky's "Songs and Dances of Death": A Singer's Study Guide.
Fuh, Jason.
Musical Means in Mussorgsky's "Songs and Dances of Death": A Singer's Study Guide.
- Ann Arbor : ProQuest Dissertations & Theses, 2017 - 137 p.
Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.
Thesis (D.M.A.)--The Ohio State University, 2017.
Modest Mussorgsky's song cycle Songs and Dances of Death is a series of four miniature dramatic scenes. The text was supplied by Arseny Golenishchev-Kutuzov, who developed a keen relationship with the composer when they shared an apartment. A glance at Mussorgsky's musical life and growth in the "Mighty Handful" circle helps us comprehend the evolution of his compositional style. At the peak of his musical maturity, the composer devoted himself to compositions in the realist, nationalist style. However, Songs and Dances of Death seems to have softened the edge of his style by incorporating lyricism, and possibly also impressionism and symbolism, into his works.
ISBN: 9780355269529Subjects--Topical Terms:
2144740
Slavic literature.
Musical Means in Mussorgsky's "Songs and Dances of Death": A Singer's Study Guide.
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Source: Dissertation Abstracts International, Volume: 79-03(E), Section: A.
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Modest Mussorgsky's song cycle Songs and Dances of Death is a series of four miniature dramatic scenes. The text was supplied by Arseny Golenishchev-Kutuzov, who developed a keen relationship with the composer when they shared an apartment. A glance at Mussorgsky's musical life and growth in the "Mighty Handful" circle helps us comprehend the evolution of his compositional style. At the peak of his musical maturity, the composer devoted himself to compositions in the realist, nationalist style. However, Songs and Dances of Death seems to have softened the edge of his style by incorporating lyricism, and possibly also impressionism and symbolism, into his works.
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Mussorgsky's music in Songs and Dances of Death is tonal but it does not adhere to a traditional Western music theoretical analysis. Therefore, the musical analysis presented is based on defining the terms musical environment and musical energy as they emerge from the compositional components, an approach that provides yet another dimension of musical understanding in works like Mussorgsky's.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10659894
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