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The influence of Chinese folk and in...

Luo, Yeou-Huey.

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The influence of Chinese folk and instrumental music on Tcherepnin's "Chinese Mikrokosmos," a lecture recital, together with three recitals of selected works of J. S. Bach, W. A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The influence of Chinese folk and instrumental music on Tcherepnin's "Chinese Mikrokosmos," a lecture recital, together with three recitals of selected works of J. S. Bach, W. A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others./
Author:	Luo, Yeou-Huey.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 1988,
Description:	117 p.
Notes:	Source: Dissertation Abstracts International, Volume: 49-10, Section: A, page: 2858.
Contained By:	Dissertation Abstracts International49-10A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8900354

The influence of Chinese folk and instrumental music on Tcherepnin's "Chinese Mikrokosmos," a lecture recital, together with three recitals of selected works of J. S. Bach, W. A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others.
Luo, Yeou-Huey.

The influence of Chinese folk and instrumental music on Tcherepnin's "Chinese Mikrokosmos," a lecture recital, together with three recitals of selected works of J. S. Bach, W. A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others. - Ann Arbor : ProQuest Dissertations & Theses, 1988 - 117 p.

Source: Dissertation Abstracts International, Volume: 49-10, Section: A, page: 2858.

Thesis (D.M.A.)--University of North Texas, 1988.

One of the most important compositional theories of Alexander Tcherepnin (1899-1977), Russian-American composer and pianist, is the Eurasian ideology, which was a result of the influence of Eastern culture. Inspired by this theory, Tcherepnin not only extricated himself from his own compositional techniques, but also intensified his search for musical folklore. In April, 1934, he began a world tour which was to include China, Japan, Singapore, the Philippines, Egypt, and Palestine, to search for "musical folklore." He became so fascinated with the culture of ancient China that he cancelled the rest of his arrangements, and, except for visits to Japan, he remained in China for three years, until the outbreak of the Sino-Japanese War in July, 1937.Subjects--Topical Terms:

516178
Music.

The influence of Chinese folk and instrumental music on Tcherepnin's "Chinese Mikrokosmos," a lecture recital, together with three recitals of selected works of J. S. Bach, W. A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others.
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100 1 $a Luo, Yeou-Huey. $3 3341645
245 1 4 $a The influence of Chinese folk and instrumental music on Tcherepnin's "Chinese Mikrokosmos," a lecture recital, together with three recitals of selected works of J. S. Bach, W. A. Mozart, C. Debussy, S. Rachmaninoff, D. Shostakovich, and others.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1988
300 $a 117 p.
500 $a Source: Dissertation Abstracts International, Volume: 49-10, Section: A, page: 2858.
500 $a Major Professor: Josef Banowetz.
502 $a Thesis (D.M.A.)--University of North Texas, 1988.
520 $a One of the most important compositional theories of Alexander Tcherepnin (1899-1977), Russian-American composer and pianist, is the Eurasian ideology, which was a result of the influence of Eastern culture. Inspired by this theory, Tcherepnin not only extricated himself from his own compositional techniques, but also intensified his search for musical folklore. In April, 1934, he began a world tour which was to include China, Japan, Singapore, the Philippines, Egypt, and Palestine, to search for "musical folklore." He became so fascinated with the culture of ancient China that he cancelled the rest of his arrangements, and, except for visits to Japan, he remained in China for three years, until the outbreak of the Sino-Japanese War in July, 1937.
520 $a During his three-year stay in China, Tcherepnin was greatly attracted to Chinese culture, and as a result, Chinese culture influenced his music to a significant degree. This essay examines the manner in which Tcherepnin's music was influenced by his experiences in China.
520 $a In order to precisely analyze the close affiliation between Chinese musical elements and Tcherepnin's "Chinese Mikrokosmos," many original Chinese sources proved indispensable in this study. These sources include Chinese folk music, theater music, instrumental music, religious music, and Chinese periodicals and newspapers that reported Tcherepnin's activities in China (1934-7).
520 $a The organization of this dissertation as follows: Chapter I provides a brief biographical sketch of Tcherepnin, traces his activities in China, and introduces one of his greatest "Chinese" compositions, "Chinese Mikrokosmos," which represents the fruits of his labors to scrutinize and absorb Chinese musical language. Chapters II and III are devoted to exploring how Chinese folk and instrumental music inspired Tcherepnin's "Chinese Mikrokosmos." Chapter IV summarizes this study.
590 $a School code: 0158.
650 4 $a Music. $3 516178
650 4 $a Musical performances. $3 3175508
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710 2 $a University of North Texas. $3 1017396
773 0 $t Dissertation Abstracts International $g 49-10A.
790 $a 0158
791 $a D.M.A.
792 $a 1988
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8900354