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Surveillance, race, culture

Flynn, Susan.

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Surveillance, race, culture

Record Type:	Electronic resources : Monograph/item
Title/Author:	Surveillance, race, culture/ edited by Susan Flynn, Antonia Mackay.
other author:	Flynn, Susan.
Published:	Cham :Springer International Publishing : : 2018.,
Description:	xiii, 294 p. :digital ;22 cm.
[NT 15003449]:	Introduction -- SECTION 1: SURVEILLANT TECHNOLOGIES -- Articulating Race: Reading Skin Colour as Taxonomy and as Biodata -- Government Surveillance, Racism, and Civic Virtue in the United States -- Sampled Sirens in the City of Los Angeles: Sounding Surveillance on the Black Contemporary Film Screen -- Medical Gazing and the 'Oprah Effect' in The Immortal Life of Henrietta Lacks (2017) -- SECTION 2: SCREEN -- Images of Black Identity: Spaces in-Between -- Knowing the Double Agent: Islam, Uncertainty and the Fragility of the Surveillant Gaze in Homeland -- Allegories of Apartheid: Abjection, Torture and Surveillance in Neill Blomkamp's District 9 -- Intersectional Digital Dynamics and Racially Profiled Black Celebrities -- SECTION 3: LITERATURE, ART, PERFORMANCE, ACTION -- Let him be left to feel his way in the dark;" Frederick Douglass: White Surveillance and Dark Sousveillance -- Perceptions of Prisoners: Re/Constructing Meaning Inside the Frame of War -- Cops and Incarceration: Constructing Racial Narratives in Reality TV's Prisons -- Pan-African Pessimism: The Man Who Cried I Am and the Limits of Black Nationalism -- We lived with death right at our backs." Surveillance Experiences of Black Panther Party Activists -- Epilogue: Surveilling Culture.
Contained By:	Springer eBooks
Subject:	Electronic surveillance - Social aspects. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-77938-6
ISBN:	9783319779386

Surveillance, race, culture
Surveillance, race, culture[electronic resource] /edited by Susan Flynn, Antonia Mackay. - Cham :Springer International Publishing :2018. - xiii, 294 p. :digital ;22 cm.

Introduction -- SECTION 1: SURVEILLANT TECHNOLOGIES -- Articulating Race: Reading Skin Colour as Taxonomy and as Biodata -- Government Surveillance, Racism, and Civic Virtue in the United States -- Sampled Sirens in the City of Los Angeles: Sounding Surveillance on the Black Contemporary Film Screen -- Medical Gazing and the 'Oprah Effect' in The Immortal Life of Henrietta Lacks (2017) -- SECTION 2: SCREEN -- Images of Black Identity: Spaces in-Between -- Knowing the Double Agent: Islam, Uncertainty and the Fragility of the Surveillant Gaze in Homeland -- Allegories of Apartheid: Abjection, Torture and Surveillance in Neill Blomkamp's District 9 -- Intersectional Digital Dynamics and Racially Profiled Black Celebrities -- SECTION 3: LITERATURE, ART, PERFORMANCE, ACTION -- Let him be left to feel his way in the dark;" Frederick Douglass: White Surveillance and Dark Sousveillance -- Perceptions of Prisoners: Re/Constructing Meaning Inside the Frame of War -- Cops and Incarceration: Constructing Racial Narratives in Reality TV's Prisons -- Pan-African Pessimism: The Man Who Cried I Am and the Limits of Black Nationalism -- We lived with death right at our backs." Surveillance Experiences of Black Panther Party Activists -- Epilogue: Surveilling Culture.

This collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to 'know' race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In Surveillance, Race, Culture Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging.

ISBN: 9783319779386

Standard No.: 10.1007/978-3-319-77938-6doiSubjects--Topical Terms:

552361
Electronic surveillance
--Social aspects.

LC Class. No.: HM846 / .S885 2018

Dewey Class. No.: 363.1063

Surveillance, race, culture
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505 0 $a Introduction -- SECTION 1: SURVEILLANT TECHNOLOGIES -- Articulating Race: Reading Skin Colour as Taxonomy and as Biodata -- Government Surveillance, Racism, and Civic Virtue in the United States -- Sampled Sirens in the City of Los Angeles: Sounding Surveillance on the Black Contemporary Film Screen -- Medical Gazing and the 'Oprah Effect' in The Immortal Life of Henrietta Lacks (2017) -- SECTION 2: SCREEN -- Images of Black Identity: Spaces in-Between -- Knowing the Double Agent: Islam, Uncertainty and the Fragility of the Surveillant Gaze in Homeland -- Allegories of Apartheid: Abjection, Torture and Surveillance in Neill Blomkamp's District 9 -- Intersectional Digital Dynamics and Racially Profiled Black Celebrities -- SECTION 3: LITERATURE, ART, PERFORMANCE, ACTION -- Let him be left to feel his way in the dark;" Frederick Douglass: White Surveillance and Dark Sousveillance -- Perceptions of Prisoners: Re/Constructing Meaning Inside the Frame of War -- Cops and Incarceration: Constructing Racial Narratives in Reality TV's Prisons -- Pan-African Pessimism: The Man Who Cried I Am and the Limits of Black Nationalism -- We lived with death right at our backs." Surveillance Experiences of Black Panther Party Activists -- Epilogue: Surveilling Culture.
520 $a This collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to 'know' race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In Surveillance, Race, Culture Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging.
650 0 $a Electronic surveillance $x Social aspects. $3 552361
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a American Culture. $3 2191766
650 2 4 $a Culture and Technology. $3 3206145
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700 1 $a Flynn, Susan. $3 1937005
700 1 $a Mackay, Antonia. $3 3252179
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856 4 0 $u http://dx.doi.org/10.1007/978-3-319-77938-6
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