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Romanticism and aesthetic life in po...
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Dickinson, Philip.
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Romanticism and aesthetic life in postcolonial writing
Record Type:
Electronic resources : Monograph/item
Title/Author:
Romanticism and aesthetic life in postcolonial writing/ by Philip Dickinson.
Author:
Dickinson, Philip.
Published:
Cham :Springer International Publishing : : 2018.,
Description:
viii, 200 p. :ill., digital ;24 cm.
[NT 15003449]:
1. Romanticism and Postcolonial Writing: Living Thoughts, Breathing Worlds -- 2. Walcott, Wordsworth, and the Extinction of Sense -- Countervoice I: George Lamming -- 3. Dis-enclosure: Landscape, Lyric Form, and The Enigma of Arrival -- Countervoice II: Anita Desai -- 4. White Writing and the Regime of the Sensory -- Countervoice III: J. M. Coetzee -- 5. Spivak's Imagination.
Contained By:
Springer eBooks
Subject:
English literature - History and criticism. -
Online resource:
http://dx.doi.org/10.1007/978-3-319-70341-1
ISBN:
9783319703411
Romanticism and aesthetic life in postcolonial writing
Dickinson, Philip.
Romanticism and aesthetic life in postcolonial writing
[electronic resource] /by Philip Dickinson. - Cham :Springer International Publishing :2018. - viii, 200 p. :ill., digital ;24 cm.
1. Romanticism and Postcolonial Writing: Living Thoughts, Breathing Worlds -- 2. Walcott, Wordsworth, and the Extinction of Sense -- Countervoice I: George Lamming -- 3. Dis-enclosure: Landscape, Lyric Form, and The Enigma of Arrival -- Countervoice II: Anita Desai -- 4. White Writing and the Regime of the Sensory -- Countervoice III: J. M. Coetzee -- 5. Spivak's Imagination.
This book explores Romanticism as a force that exerts an insistent but critically-neglected pressure on the postcolonial imagination. From the decolonizing poetics of the Caribbean to the white writing of South Africa, from the aesthetics of post-imperial disappointment to postcolonial theory itself, it develops an account of the textual and philosophical interpenetration of postcolonial aesthetics with Romantic ideas about sense, history and world. What emerges is a reading of Romantic/postcolonial co-involvement that moves beyond well-worn models of intercanonical antagonism and the historicizing biases of conventional literary history. Caught somewhere between the effects of reanimation and estrangement, Romanticism appears here not as a stable textual repository prior to the postcolonial, but as echo, spectre, self-interruption, or vital force, that can yet only emerge in the guise of the afterlife, its agency mediated - but never exhausted - by postcolonial writing.
ISBN: 9783319703411
Standard No.: 10.1007/978-3-319-70341-1doiSubjects--Topical Terms:
523224
English literature
--History and criticism.
LC Class. No.: PR146 / .D53 2018
Dewey Class. No.: 820.9
Romanticism and aesthetic life in postcolonial writing
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1. Romanticism and Postcolonial Writing: Living Thoughts, Breathing Worlds -- 2. Walcott, Wordsworth, and the Extinction of Sense -- Countervoice I: George Lamming -- 3. Dis-enclosure: Landscape, Lyric Form, and The Enigma of Arrival -- Countervoice II: Anita Desai -- 4. White Writing and the Regime of the Sensory -- Countervoice III: J. M. Coetzee -- 5. Spivak's Imagination.
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This book explores Romanticism as a force that exerts an insistent but critically-neglected pressure on the postcolonial imagination. From the decolonizing poetics of the Caribbean to the white writing of South Africa, from the aesthetics of post-imperial disappointment to postcolonial theory itself, it develops an account of the textual and philosophical interpenetration of postcolonial aesthetics with Romantic ideas about sense, history and world. What emerges is a reading of Romantic/postcolonial co-involvement that moves beyond well-worn models of intercanonical antagonism and the historicizing biases of conventional literary history. Caught somewhere between the effects of reanimation and estrangement, Romanticism appears here not as a stable textual repository prior to the postcolonial, but as echo, spectre, self-interruption, or vital force, that can yet only emerge in the guise of the afterlife, its agency mediated - but never exhausted - by postcolonial writing.
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Literature, Cultural and Media Studies (Springer-41173)
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EB PR146 .D53 2018
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