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Chinese television and national iden...

Gorfinkel, Lauren.

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Chinese television and national identity construction : = the cultural politics of music-entertainment programmes /

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Chinese television and national identity construction :/ Lauren Gorfinkel.
Reminder of title:	the cultural politics of music-entertainment programmes /
remainder title:	Cultural politics of music-entertainment programmes
Author:	Gorfinkel, Lauren.
Published:	London :Routledge, : c2018.,
Description:	xv, 253 p. :ill ;25 cm.
Subject:	Television broadcasting of music - China. -
ISBN:	9781138782976

Chinese television and national identity construction : = the cultural politics of music-entertainment programmes /
Gorfinkel, Lauren.

Chinese television and national identity construction :the cultural politics of music-entertainment programmes /Cultural politics of music-entertainment programmesLauren Gorfinkel. - London :Routledge,c2018. - xv, 253 p. :ill ;25 cm. - Media, culture and social change in Asia ;52. - Media, culture and social change in Asia..

Includes bibliographical references and index.

Introduction : national identity in the Chinese context --

"This book examines music entertainment programmes on China Central Television, China's only national level television network, exploring how such programmes project a nuanced image of China's identity and position in the world, which is in step with China's party-state nationalism, and at the same time flexible and open to change as China's circumstances change. It considers the background of the development of television in China, and the political struggles between provincial and national television. It discusses the portrayal of majority Chinese, and of ethnic minorities and their music, which, the author argues, are shown as fitting with the party-state rhetoric of 'a unitary multi-ethnic state'. It outlines how the Chinese of Greater China - Hong Kong, Taiwan, Macao and the overseas Chinese - are incorporated into mainland centred Chinese identity, and it shows how the performances of foreign personalities emphasise the personalities' attraction to China, the uniqueness of the Chinese nation and Chinese civilisation, and the revitalised role of China in the world. Overall, the book demonstrates how the variations of Chinese identity fit with the prevailing political ideology in China and with the emerging theme of a China-centred world"--

ISBN: 9781138782976UK105.00

LCCN: 2017024929Subjects--Corporate Names:

1309663
Zhong yang dian shi tai (Beijing, China)
Subjects--Topical Terms:

3307469
Television broadcasting of music
--China.

LC Class. No.: PN1992.3.C6 / .G67 2018

Dewey Class. No.: 791.45/678

Chinese television and national identity construction : = the cultural politics of music-entertainment programmes /
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245 1 0 $a Chinese television and national identity construction : $b the cultural politics of music-entertainment programmes / $c Lauren Gorfinkel.
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300 $a xv, 253 p. : $b ill ; $c 25 cm.
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504 $a Includes bibliographical references and index.
505 0 # $t Introduction : national identity in the Chinese context -- $t Music-entertainment culture under the Chinese Communist party -- $t Overview of music-entertainment television in China -- $t Multiethnic China -- $t Greater China -- $t Foreign identities -- $t Conclusion.
520 # $a "This book examines music entertainment programmes on China Central Television, China's only national level television network, exploring how such programmes project a nuanced image of China's identity and position in the world, which is in step with China's party-state nationalism, and at the same time flexible and open to change as China's circumstances change. It considers the background of the development of television in China, and the political struggles between provincial and national television. It discusses the portrayal of majority Chinese, and of ethnic minorities and their music, which, the author argues, are shown as fitting with the party-state rhetoric of 'a unitary multi-ethnic state'. It outlines how the Chinese of Greater China - Hong Kong, Taiwan, Macao and the overseas Chinese - are incorporated into mainland centred Chinese identity, and it shows how the performances of foreign personalities emphasise the personalities' attraction to China, the uniqueness of the Chinese nation and Chinese civilisation, and the revitalised role of China in the world. Overall, the book demonstrates how the variations of Chinese identity fit with the prevailing political ideology in China and with the emerging theme of a China-centred world"-- $c Provided by publisher.
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