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A world in print; Foreigners in Japa...

Parman, Alison R.

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A world in print; Foreigners in Japan's early modern Bankoku jinbutsu-zu.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A world in print; Foreigners in Japan's early modern Bankoku jinbutsu-zu./
Author:	Parman, Alison R.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	96 p.
Notes:	Source: Masters Abstracts International, Volume: 55-06.
Contained By:	Masters Abstracts International55-06(E).
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10142321
ISBN:	9781339976358

A world in print; Foreigners in Japan's early modern Bankoku jinbutsu-zu.
Parman, Alison R.

A world in print; Foreigners in Japan's early modern Bankoku jinbutsu-zu. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 96 p.

Source: Masters Abstracts International, Volume: 55-06.

Thesis (M.A.)--University of Oregon, 2016.

Japanese woodblock prints featuring foreigners that appeared after the opening of ports such as Yokohama to international trade in the mid-nineteenth century are broadly referred to as Yokohama-e (or "Yokohama Pictures"). While there are already seminal studies that document the representation of Western peoples in Yokohama-e, those of Asian peoples have not yet received equal attention. This thesis focuses on a group of prints that include the word "all nations" ( bankoku) in their titles, particularly those of Utagawa Yoshiiku. Although these prints are currently considered a type of Yokohama-e, they are distinctively different from typical Yokohama-e in their scope, particularly in its inclusion of many Asian and mythical peoples. This study investigates how this group of "pictures of the peoples of all nations" (bankoku jinbutsu-zu) functioned as popular guides to the nations of the world and reflected the domestic new awareness for Japan's role within it.

ISBN: 9781339976358Subjects--Topical Terms:

2122701
Art history.

A world in print; Foreigners in Japan's early modern Bankoku jinbutsu-zu.
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245 1 2 $a A world in print; Foreigners in Japan's early modern Bankoku jinbutsu-zu.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 96 p.
500 $a Source: Masters Abstracts International, Volume: 55-06.
500 $a Adviser: Akiko Walley.
502 $a Thesis (M.A.)--University of Oregon, 2016.
520 $a Japanese woodblock prints featuring foreigners that appeared after the opening of ports such as Yokohama to international trade in the mid-nineteenth century are broadly referred to as Yokohama-e (or "Yokohama Pictures"). While there are already seminal studies that document the representation of Western peoples in Yokohama-e, those of Asian peoples have not yet received equal attention. This thesis focuses on a group of prints that include the word "all nations" ( bankoku) in their titles, particularly those of Utagawa Yoshiiku. Although these prints are currently considered a type of Yokohama-e, they are distinctively different from typical Yokohama-e in their scope, particularly in its inclusion of many Asian and mythical peoples. This study investigates how this group of "pictures of the peoples of all nations" (bankoku jinbutsu-zu) functioned as popular guides to the nations of the world and reflected the domestic new awareness for Japan's role within it.
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650 4 $a Art history. $3 2122701
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650 4 $a Art criticism. $3 526357
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710 2 $a University of Oregon. $b History of Art and Architecture. $3 2095567
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10142321