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Interweaving visual language of the ...

Goulart, Stirling.

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Interweaving visual language of the spiritual and the secular: Goya, Spanish spiritualism, and the sublime.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Interweaving visual language of the spiritual and the secular: Goya, Spanish spiritualism, and the sublime./
Author:	Goulart, Stirling.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	90 p.
Notes:	Source: Masters Abstracts International, Volume: 55-05.
Contained By:	Masters Abstracts International55-05(E).
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10117401
ISBN:	9781339787886

Interweaving visual language of the spiritual and the secular: Goya, Spanish spiritualism, and the sublime.
Goulart, Stirling.

Interweaving visual language of the spiritual and the secular: Goya, Spanish spiritualism, and the sublime. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 90 p.

Source: Masters Abstracts International, Volume: 55-05.

Thesis (M.A.)--Old Dominion University, 2016.

This thesis explores how Francisco Goya adapted traditional methods of representing religious subjects to create a modern visual language that addressed contemporary themes while maintaining continuity with the past and Spanish identity. The methods used to investigate this topic center on primary and secondary literary sources along with visual comparisons and analysis of selected works. Through this method, it is established that Goya formed a modern innovation of traditional religious style in order to confront and discuss secular and current social issues.

ISBN: 9781339787886Subjects--Topical Terms:

2122701
Art history.

Interweaving visual language of the spiritual and the secular: Goya, Spanish spiritualism, and the sublime.
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245 1 0 $a Interweaving visual language of the spiritual and the secular: Goya, Spanish spiritualism, and the sublime.
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500 $a Adviser: Anne H. Muraoka.
502 $a Thesis (M.A.)--Old Dominion University, 2016.
520 $a This thesis explores how Francisco Goya adapted traditional methods of representing religious subjects to create a modern visual language that addressed contemporary themes while maintaining continuity with the past and Spanish identity. The methods used to investigate this topic center on primary and secondary literary sources along with visual comparisons and analysis of selected works. Through this method, it is established that Goya formed a modern innovation of traditional religious style in order to confront and discuss secular and current social issues.
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