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Altered Belonging: The Transnational...

Rodman, Tara.

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Altered Belonging: The Transnational Modern Dance of Ito Michio.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Altered Belonging: The Transnational Modern Dance of Ito Michio./
Author:	Rodman, Tara.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2017,
Description:	280 p.
Notes:	Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.
Contained By:	Dissertation Abstracts International78-10A(E).
Subject:	Theater history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10278953
ISBN:	9781369818581

Altered Belonging: The Transnational Modern Dance of Ito Michio.
Rodman, Tara.

Altered Belonging: The Transnational Modern Dance of Ito Michio. - Ann Arbor : ProQuest Dissertations & Theses, 2017 - 280 p.

Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.

Thesis (Ph.D.)--Northwestern University, 2017.

This dissertation, "Altered Belonging: The Transnational Modern Dance of Ito Michio," argues that Ito forged an artistic and social identity out of the very categories of racial and national difference typically used to exclude Japanese from Euro-American society. The strategies he employed provide a paradigm for how performing bodies marked as foreign claim freedom of mobility and a sense of belonging in their adopted communities. Addressing the full span of his career across five decades of performance in Europe, the U.S., and Japan, this dissertation restores the historic and analytic relationships among geographically distinct archives. By uncovering the linkages between his eurythmics training in Hellerau, Germany, his modernist collaborations in London, his nearly three decades dancing in New York and Los Angeles, and his Pan-Asianist activities under Japan's wartime empire, I recover, for instance, how Ito's experience of New York stage Orientalism later shadows his Pan-Asianist planned performances for Imperial Japan, and how the universalist ideals of his Hellerau training resurfaced as an ideology of community dance in Los Angeles. The trans-oceanic linkages thus rendered legible are relevant for understanding not only Ito's career but also the integrated nature of twentieth-century modernism and the strategies by which modern artists refashioned alterity into a basis for creative freedom and freedom of movement.

ISBN: 9781369818581Subjects--Topical Terms:

2144911
Theater history.

Altered Belonging: The Transnational Modern Dance of Ito Michio.
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245 1 0 $a Altered Belonging: The Transnational Modern Dance of Ito Michio.
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500 $a Source: Dissertation Abstracts International, Volume: 78-10(E), Section: A.
500 $a Adviser: Susan Manning.
502 $a Thesis (Ph.D.)--Northwestern University, 2017.
520 $a This dissertation, "Altered Belonging: The Transnational Modern Dance of Ito Michio," argues that Ito forged an artistic and social identity out of the very categories of racial and national difference typically used to exclude Japanese from Euro-American society. The strategies he employed provide a paradigm for how performing bodies marked as foreign claim freedom of mobility and a sense of belonging in their adopted communities. Addressing the full span of his career across five decades of performance in Europe, the U.S., and Japan, this dissertation restores the historic and analytic relationships among geographically distinct archives. By uncovering the linkages between his eurythmics training in Hellerau, Germany, his modernist collaborations in London, his nearly three decades dancing in New York and Los Angeles, and his Pan-Asianist activities under Japan's wartime empire, I recover, for instance, how Ito's experience of New York stage Orientalism later shadows his Pan-Asianist planned performances for Imperial Japan, and how the universalist ideals of his Hellerau training resurfaced as an ideology of community dance in Los Angeles. The trans-oceanic linkages thus rendered legible are relevant for understanding not only Ito's career but also the integrated nature of twentieth-century modernism and the strategies by which modern artists refashioned alterity into a basis for creative freedom and freedom of movement.
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