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The Chinese cinema in the 1980s: Tow...

Liu, Lihsing.

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The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism./
Author:	Liu, Lihsing.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 1992,
Description:	129 p.
Notes:	Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3754.
Contained By:	Dissertation Abstracts International52-11A.
Subject:	Film studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9210203

The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism.
Liu, Lihsing.

The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism. - Ann Arbor : ProQuest Dissertations & Theses, 1992 - 129 p.

Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3754.

Thesis (Ph.D.)--Brigham Young University, 1992.

This study rests on the assertion that there is a canonization and then significant shift in the content and form of significant (prize-winning and esthetic) Chinese films (PRC) of the 1980s. The nature of this content and form and its change are described in terms of a general system or canon of Chinese films. Content analysis of eight significant films is used to demonstrate this finding.Subjects--Topical Terms:

2122736
Film studies.

The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism.
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035 $a (MiAaPQ)AAI9210203
035 $a AAI9210203
040 $a MiAaPQ $c MiAaPQ
100 1 $a Liu, Lihsing. $3 3285069
245 1 4 $a The Chinese cinema in the 1980s: Toward a systematic study of its socialist realism.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 1992
300 $a 129 p.
500 $a Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3754.
500 $a Chairman: Sharon Swenson.
502 $a Thesis (Ph.D.)--Brigham Young University, 1992.
520 $a This study rests on the assertion that there is a canonization and then significant shift in the content and form of significant (prize-winning and esthetic) Chinese films (PRC) of the 1980s. The nature of this content and form and its change are described in terms of a general system or canon of Chinese films. Content analysis of eight significant films is used to demonstrate this finding.
520 $a The reading of these eight Chinese film texts in this work shows the presence of five central elements which constitute the Chinese cinematic apparatus in the 1980s. In addition, this examination observes (1) the existence of a systematic canon of cinematic socialist realism in the early eighties; (2) a significant shift in the elements which compose the canon, which reveals political openness but does not completely destroy the canon or system.
590 $a School code: 0022.
650 4 $a Film studies. $3 2122736
690 $a 0900
710 2 $a Brigham Young University. $3 1017451
773 0 $t Dissertation Abstracts International $g 52-11A.
790 $a 0022
791 $a Ph.D.
792 $a 1992
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9210203