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The original wind band music of Ulys...
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Kizer, Tremon B.
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The original wind band music of Ulysses Kay: A conductor's guide.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The original wind band music of Ulysses Kay: A conductor's guide./
Author:
Kizer, Tremon B.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:
166 p.
Notes:
Source: Dissertation Abstracts International, Volume: 78-04(E), Section: A.
Contained By:
Dissertation Abstracts International78-04A(E).
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10165122
ISBN:
9781369195316
The original wind band music of Ulysses Kay: A conductor's guide.
Kizer, Tremon B.
The original wind band music of Ulysses Kay: A conductor's guide.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 166 p.
Source: Dissertation Abstracts International, Volume: 78-04(E), Section: A.
Thesis (D.M.A.)--University of South Carolina, 2016.
Ulysses S. Kay (1917-1995) was one of the most prolific African American composers in the 20th century, with over forty orchestral works, five operas, over forty choral compositions, and seven original works for wind band. Notable conductors such as Leonard Bernstein, Frederick Fennell, Thor Johnson, Zubin Mehta, and Leopold Stokowski performed his works. Kay earned several prestigious awards for his compositions in genres outside of wind band, including two Prix de Rome's, a Guggenheim fellowship, and six honorary doctorates. Even with his numerous accolades and a compositional output totaling more than 135 works, Kay has become one of the forgotten composers of the 20th century. Kay composed seven original works for wind band: Evocation, Solemn Prelude, Short Suite for Band, Trigon, Forever Free, Concert Sketches, and Prologue and Parade.
ISBN: 9781369195316Subjects--Topical Terms:
516178
Music.
The original wind band music of Ulysses Kay: A conductor's guide.
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Source: Dissertation Abstracts International, Volume: 78-04(E), Section: A.
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Ulysses S. Kay (1917-1995) was one of the most prolific African American composers in the 20th century, with over forty orchestral works, five operas, over forty choral compositions, and seven original works for wind band. Notable conductors such as Leonard Bernstein, Frederick Fennell, Thor Johnson, Zubin Mehta, and Leopold Stokowski performed his works. Kay earned several prestigious awards for his compositions in genres outside of wind band, including two Prix de Rome's, a Guggenheim fellowship, and six honorary doctorates. Even with his numerous accolades and a compositional output totaling more than 135 works, Kay has become one of the forgotten composers of the 20th century. Kay composed seven original works for wind band: Evocation, Solemn Prelude, Short Suite for Band, Trigon, Forever Free, Concert Sketches, and Prologue and Parade.
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Both Evocation and Solemn Prelude appear to have been withdrawn and it is unknown if the composer wanted the pieces performed. Nevertheless, Kay's wind works have been largely unknown and have received scant attention from scholars and ensembles. This document examines each of these works with emphasis on performance considerations for bands and wind band conductors.
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The study commences with a biographical sketch of the composer, beginning with early musical influences and tracing his education and career until his death. Chapters 2 through 8 presents an overview of one of Kay's original wind band works, including a historical perspective of the piece, a description of the musical content of the work, and technical considerations for the performance of the piece. Chapter 9 concludes the study by summarizing the composer's efforts in this genre. Appendices, excerpts from the works discussed in the study, along with items retrieved from the Ulysses Kay Archive at Columbia University, are included to help provide a broader context of Kay's wind works.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10165122
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