東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Why Do Art Dealers (Still) Print Cat...

Khanbhai, Hussain.

Linked to FindBook

Google Book

Amazon

博客來

Why Do Art Dealers (Still) Print Catalogues? The Challenges of Publishing Art in the Digital Era.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Why Do Art Dealers (Still) Print Catalogues? The Challenges of Publishing Art in the Digital Era./
Author:	Khanbhai, Hussain.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	65 p.
Notes:	Source: Masters Abstracts International, Volume: 56-02.
Contained By:	Masters Abstracts International56-02(E).
Subject:	Marketing. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10187650
ISBN:	9781369337372

Why Do Art Dealers (Still) Print Catalogues? The Challenges of Publishing Art in the Digital Era.
Khanbhai, Hussain.

Why Do Art Dealers (Still) Print Catalogues? The Challenges of Publishing Art in the Digital Era. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 65 p.

Source: Masters Abstracts International, Volume: 56-02.

Thesis (M.A.)--Sotheby's Institute of Art - New York, 2016.

The product of an art dealer's measured resources and an artist's creative vision, the exhibition catalogue has become an object at the nexus of art and commerce -- much like the very artwork it documents. However, the justification of what is often a very resource-intensive activity must be questioned in context of the overall marketing schema of art galleries. An investigation of these questions might yield not only the rationale behind the publishing of catalogues, but also the rationale behind their being in print. The study refers back not only to the prolific history of printing exhibition catalogues, but also to the changing formats of these publications and their implications.

ISBN: 9781369337372Subjects--Topical Terms:

536353
Marketing.

Why Do Art Dealers (Still) Print Catalogues? The Challenges of Publishing Art in the Digital Era.
LDR:01630nmm a2200301 4500 001 2120617
005 20170724080048.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781369337372
035 $a (MiAaPQ)AAI10187650
035 $a AAI10187650
040 $a MiAaPQ $c MiAaPQ
100 1 $a Khanbhai, Hussain. $3 3282560
245 1 0 $a Why Do Art Dealers (Still) Print Catalogues? The Challenges of Publishing Art in the Digital Era.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 65 p.
500 $a Source: Masters Abstracts International, Volume: 56-02.
500 $a Adviser: Thomas McNulty.
502 $a Thesis (M.A.)--Sotheby's Institute of Art - New York, 2016.
520 $a The product of an art dealer's measured resources and an artist's creative vision, the exhibition catalogue has become an object at the nexus of art and commerce -- much like the very artwork it documents. However, the justification of what is often a very resource-intensive activity must be questioned in context of the overall marketing schema of art galleries. An investigation of these questions might yield not only the rationale behind the publishing of catalogues, but also the rationale behind their being in print. The study refers back not only to the prolific history of printing exhibition catalogues, but also to the changing formats of these publications and their implications.
590 $a School code: 1588.
650 4 $a Marketing. $3 536353
650 4 $a Arts management. $3 3168382
650 4 $a Communication. $3 524709
690 $a 0338
690 $a 0424
690 $a 0459
710 2 $a Sotheby's Institute of Art - New York. $b Art Business. $3 2093254
773 0 $t Masters Abstracts International $g 56-02(E).
790 $a 1588
791 $a M.A.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10187650