東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

A Maker's Mechanological Paradigm Se...

Lahey, Byron.

Linked to FindBook

Google Book

Amazon

博客來

A Maker's Mechanological Paradigm Seeing Experiential Media Systems as Structurally Determined.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A Maker's Mechanological Paradigm Seeing Experiential Media Systems as Structurally Determined./
Author:	Lahey, Byron.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2015,
Description:	214 p.
Notes:	Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
Contained By:	Dissertation Abstracts International76-09A(E).
Subject:	Multimedia communications. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3701692
ISBN:	9781321725254

A Maker's Mechanological Paradigm Seeing Experiential Media Systems as Structurally Determined.
Lahey, Byron.

A Maker's Mechanological Paradigm Seeing Experiential Media Systems as Structurally Determined. - Ann Arbor : ProQuest Dissertations & Theses, 2015 - 214 p.

Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.

Thesis (Ph.D.)--Arizona State University, 2015.

Wittgenstein's claim: anytime something is seen, it is necessarily seen as something, forms the philosophical foundation of this research. I synthesize theories and philosophies from Simondon, Maturana, Varela, Wittgenstein, Pye, Sennett, and Reddy in a research process I identify as a paradigm construction project. My personal studio practice of inventing experiential media systems is a key part of this research and illustrates, with practical examples, my philosophical arguments from a range of points of observation. I see media systems as technical objects, and see technical objects as structurally determined systems, in which the structure of the system determines its organization. I identify making, the process of determining structure, as a form of structural coupling and see structural coupling as a means of knowing material. I introduce my theory of conceptual plurifunctionality as an extension to Simondon's theory. Aspects of materiality are presented as a means of seeing material and immaterial systems, including cultural systems. I seek to answer the questions: How is structure seen as determining the organization of systems, and making seen as a process in which the resulting structures of technical objects and the maker are co-determined? How might an understanding of structure and organization be applied to the invention of contemporary experiential media systems?

ISBN: 9781321725254Subjects--Topical Terms:

590562
Multimedia communications.

A Maker's Mechanological Paradigm Seeing Experiential Media Systems as Structurally Determined.
LDR:02350nmm a2200301 4500 001 2119699
005 20170628084202.5
008 180830s2015 ||||||||||||||||| ||eng d
020 $a 9781321725254
035 $a (MiAaPQ)AAI3701692
035 $a AAI3701692
040 $a MiAaPQ $c MiAaPQ
100 1 $a Lahey, Byron. $3 3281586
245 1 2 $a A Maker's Mechanological Paradigm Seeing Experiential Media Systems as Structurally Determined.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2015
300 $a 214 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
500 $a Adviser: Winslow Burleson.
502 $a Thesis (Ph.D.)--Arizona State University, 2015.
520 $a Wittgenstein's claim: anytime something is seen, it is necessarily seen as something, forms the philosophical foundation of this research. I synthesize theories and philosophies from Simondon, Maturana, Varela, Wittgenstein, Pye, Sennett, and Reddy in a research process I identify as a paradigm construction project. My personal studio practice of inventing experiential media systems is a key part of this research and illustrates, with practical examples, my philosophical arguments from a range of points of observation. I see media systems as technical objects, and see technical objects as structurally determined systems, in which the structure of the system determines its organization. I identify making, the process of determining structure, as a form of structural coupling and see structural coupling as a means of knowing material. I introduce my theory of conceptual plurifunctionality as an extension to Simondon's theory. Aspects of materiality are presented as a means of seeing material and immaterial systems, including cultural systems. I seek to answer the questions: How is structure seen as determining the organization of systems, and making seen as a process in which the resulting structures of technical objects and the maker are co-determined? How might an understanding of structure and organization be applied to the invention of contemporary experiential media systems?
590 $a School code: 0010.
650 4 $a Multimedia communications. $3 590562
650 4 $a Philosophy. $3 516511
650 4 $a Fine arts. $3 2122690
690 $a 0558
690 $a 0422
690 $a 0357
710 2 $a Arizona State University. $b Media Arts and Sciences. $3 2092509
773 0 $t Dissertation Abstracts International $g 76-09A(E).
790 $a 0010
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3701692