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A Tourist Performance: Redefining th...
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Kinkade, Brandy Lee.
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A Tourist Performance: Redefining the Tourist Attraction.
Record Type:
Electronic resources : Monograph/item
Title/Author:
A Tourist Performance: Redefining the Tourist Attraction./
Author:
Kinkade, Brandy Lee.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:
46 p.
Notes:
Source: Masters Abstracts International, Volume: 55-04.
Contained By:
Masters Abstracts International55-04(E).
Subject:
American studies. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10103853
ISBN:
9781339673950
A Tourist Performance: Redefining the Tourist Attraction.
Kinkade, Brandy Lee.
A Tourist Performance: Redefining the Tourist Attraction.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 46 p.
Source: Masters Abstracts International, Volume: 55-04.
Thesis (M.A.)--University of South Florida, 2016.
The aim of this paper is to examine the intersection of tourism and memoirs in the United States specifically how specific travel memoirs function as tourist attractions. This investigation employs performer-centered analysis as a method of inquiry in order to gain insight on tourist experience as well as concepts of travel, imagination and embodiment. The paper also employs MacCannell's Semiotics of Attraction as a framework to illustrate the presence of the following categories: tourist, sight, and marker. The presence and the relationships established between these categories establish Into Thin Air and Almost Somewhere: Twenty-eight Days on the John Muir Trail can both be defined and function as tourist attractions.
ISBN: 9781339673950Subjects--Topical Terms:
2122720
American studies.
A Tourist Performance: Redefining the Tourist Attraction.
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The aim of this paper is to examine the intersection of tourism and memoirs in the United States specifically how specific travel memoirs function as tourist attractions. This investigation employs performer-centered analysis as a method of inquiry in order to gain insight on tourist experience as well as concepts of travel, imagination and embodiment. The paper also employs MacCannell's Semiotics of Attraction as a framework to illustrate the presence of the following categories: tourist, sight, and marker. The presence and the relationships established between these categories establish Into Thin Air and Almost Somewhere: Twenty-eight Days on the John Muir Trail can both be defined and function as tourist attractions.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10103853
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