東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Mediating Musical Experience: Studyi...

Hyndman, Sheena Dawn.

Linked to FindBook

Google Book

Amazon

博客來

Mediating Musical Experience: Studying the Effects of the Remix on Patterns of Music Production and Consumption.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Mediating Musical Experience: Studying the Effects of the Remix on Patterns of Music Production and Consumption./
Author:	Hyndman, Sheena Dawn.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2013,
Description:	286 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.
Contained By:	Dissertation Abstracts International75-07A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NS00167
ISBN:	9780499001672

Mediating Musical Experience: Studying the Effects of the Remix on Patterns of Music Production and Consumption.
Hyndman, Sheena Dawn.

Mediating Musical Experience: Studying the Effects of the Remix on Patterns of Music Production and Consumption. - Ann Arbor : ProQuest Dissertations & Theses, 2013 - 286 p.

Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.

Thesis (Ph.D.)--York University (Canada), 2013.

This work investigates the musical remix as a mediator of significant changes to the production and consumption of contemporary popular music. Based on a fundamental assumption from the intellectual tradition of Media Ecology---that the form of a medium shapes its content---I argue that remixed music is responsible for the following changes: First, performance and compositional practices, the dissemination of music, and the ways in which composers are recruited and compensated for their work reflect the growing importance of remixing as a marketing tool for original music, as remixing has begun to occupy a more prominent role within the music industry. Moreover, the increased significance of remixed music has allowed intermediaries, specifically music bloggers, to carve out new roles for themselves in the digital music industry. Next, the ubiquitous nature of remixed music as it appears in both public and private consumption circumstances increases the likelihood that listeners will experience "reordered listening," or the act of coming into contact with a derivative version of a song prior to hearing the original version upon which the derivative is based. Because reordered listening results in an alteration of the traditional order of music consumption, where the original version is beard before the derivative version, listeners become more open to pursuing a path of discovery that leads to the remixer rather than the original artist. Finally, frequent exposure to remixed music via reordered listening results in a greater acceptance of derivative song production as an expression of originality and as an important component of contemporary music culture. 1 conclude that the effects of remixing on music production and consumption patterns are both significant and measurable, and encourage changes to patterns of music production and consumption that indicate the increasingly important role of remixed music as a component of the music industry and as a reflection of contemporary music culture.

ISBN: 9780499001672Subjects--Topical Terms:

516178
Music.

Mediating Musical Experience: Studying the Effects of the Remix on Patterns of Music Production and Consumption.
LDR:02929nmm a2200277 4500 001 2118459
005 20170605115652.5
008 180830s2013 ||||||||||||||||| ||eng d
020 $a 9780499001672
035 $a (MiAaPQ)AAINS00167
035 $a AAINS00167
040 $a MiAaPQ $c MiAaPQ
100 1 $a Hyndman, Sheena Dawn. $3 3280295
245 1 0 $a Mediating Musical Experience: Studying the Effects of the Remix on Patterns of Music Production and Consumption.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2013
300 $a 286 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.
502 $a Thesis (Ph.D.)--York University (Canada), 2013.
520 $a This work investigates the musical remix as a mediator of significant changes to the production and consumption of contemporary popular music. Based on a fundamental assumption from the intellectual tradition of Media Ecology---that the form of a medium shapes its content---I argue that remixed music is responsible for the following changes: First, performance and compositional practices, the dissemination of music, and the ways in which composers are recruited and compensated for their work reflect the growing importance of remixing as a marketing tool for original music, as remixing has begun to occupy a more prominent role within the music industry. Moreover, the increased significance of remixed music has allowed intermediaries, specifically music bloggers, to carve out new roles for themselves in the digital music industry. Next, the ubiquitous nature of remixed music as it appears in both public and private consumption circumstances increases the likelihood that listeners will experience "reordered listening," or the act of coming into contact with a derivative version of a song prior to hearing the original version upon which the derivative is based. Because reordered listening results in an alteration of the traditional order of music consumption, where the original version is beard before the derivative version, listeners become more open to pursuing a path of discovery that leads to the remixer rather than the original artist. Finally, frequent exposure to remixed music via reordered listening results in a greater acceptance of derivative song production as an expression of originality and as an important component of contemporary music culture. 1 conclude that the effects of remixing on music production and consumption patterns are both significant and measurable, and encourage changes to patterns of music production and consumption that indicate the increasingly important role of remixed music as a component of the music industry and as a reflection of contemporary music culture.
590 $a School code: 0267.
650 4 $a Music. $3 516178
650 4 $a Mass communication. $3 2144804
690 $a 0413
690 $a 0708
710 2 $a York University (Canada). $3 1017889
773 0 $t Dissertation Abstracts International $g 75-07A(E).
790 $a 0267
791 $a Ph.D.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NS00167