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The permeable self: Quotation and th...
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Crawford, Chelsey.
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The permeable self: Quotation and the moving image.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The permeable self: Quotation and the moving image./
Author:
Crawford, Chelsey.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:
225 p.
Notes:
Source: Dissertation Abstracts International, Volume: 78-04(E), Section: A.
Contained By:
Dissertation Abstracts International78-04A(E).
Subject:
Film studies. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10189100
ISBN:
9781369361452
The permeable self: Quotation and the moving image.
Crawford, Chelsey.
The permeable self: Quotation and the moving image.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 225 p.
Source: Dissertation Abstracts International, Volume: 78-04(E), Section: A.
Thesis (Ph.D.)--Oklahoma State University, 2016.
This dissertation attempts to articulate a definition and a theoretical framework for understanding moving-image quotation as a particular sort of textual relationship. Rather than furthering a logic that prioritizes individual experience as the ground of existence, this dissertation deploys the ontological theories of Jean-Luc Nancy in order to argue that existence is, instead, founded on sharing. Because quotations exist between two times, places, and speakers, they cannot express individualism in a sense typically assigned to the author of a text. Instead, they highlight the deliberate repetition of an utterance. This notion is further complicated by the medium-specific elements of moving images in that they are visual media. Occurring in visual media, moving-image quotations lack conventional quotation marks and, as a result, more forcefully depend upon a Nancian ontology. Because moving images do not have a standard form for delineating between text being quoted and text doing the quoting, they are more intertwined than quotations in written form. This dissertation proceeds by examining three major means through which moving images quote one another (the aesthetic remake, the remix, and televisual repetition). By conceiving of each of these forms in terms of quotation, I highlight the means by which the quotation serves as a concrete form for the ontological interconnectedness foundational to existence.
ISBN: 9781369361452Subjects--Topical Terms:
2122736
Film studies.
The permeable self: Quotation and the moving image.
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This dissertation attempts to articulate a definition and a theoretical framework for understanding moving-image quotation as a particular sort of textual relationship. Rather than furthering a logic that prioritizes individual experience as the ground of existence, this dissertation deploys the ontological theories of Jean-Luc Nancy in order to argue that existence is, instead, founded on sharing. Because quotations exist between two times, places, and speakers, they cannot express individualism in a sense typically assigned to the author of a text. Instead, they highlight the deliberate repetition of an utterance. This notion is further complicated by the medium-specific elements of moving images in that they are visual media. Occurring in visual media, moving-image quotations lack conventional quotation marks and, as a result, more forcefully depend upon a Nancian ontology. Because moving images do not have a standard form for delineating between text being quoted and text doing the quoting, they are more intertwined than quotations in written form. This dissertation proceeds by examining three major means through which moving images quote one another (the aesthetic remake, the remix, and televisual repetition). By conceiving of each of these forms in terms of quotation, I highlight the means by which the quotation serves as a concrete form for the ontological interconnectedness foundational to existence.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10189100
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