東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The Anima in theatre: Animating a Ju...

Zimmerman, Shadow.

Linked to FindBook

Google Book

Amazon

博客來

The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors./
Author:	Zimmerman, Shadow.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	68 p.
Notes:	Source: Masters Abstracts International, Volume: 55-05.
Contained By:	Masters Abstracts International55-05(E).
Subject:	Theater. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10140291
ISBN:	9781339957104

The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors.
Zimmerman, Shadow.

The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 68 p.

Source: Masters Abstracts International, Volume: 55-05.

Thesis (M.A.)--University of California, Santa Cruz, 2016.

In order to distill Carl Jung's psychoanalytical theories on archetypes into a format, which can be better understood and used by dramatic analysts and theatre-makers, I explored the Anima archetype and its representations in two plays, Medea (431 BC) by Euripides and The Great God Brown (1926) by Eugene O'Neill. In this thesis, I first define the Anima in Jung's terms and explain how we can find it represented in drama. I then analyze the Anima-inspired conflicts in the two plays in a fairly traditional way, but through a Jungian lens. After an analysis of the use of the Anima in these two vastly different plays, I offer suggestions for the use of the Anima archetype among theatre devisers as well as actors and directors. Lastly, I briefly envision the future of this field of study and encourage others to engage in this style of analysis.

ISBN: 9781339957104Subjects--Topical Terms:

522973
Theater.

The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors.
LDR:01782nmm a2200301 4500 001 2118346
005 20170605115647.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781339957104
035 $a (MiAaPQ)AAI10140291
035 $a AAI10140291
040 $a MiAaPQ $c MiAaPQ
100 1 $a Zimmerman, Shadow. $3 3280176
245 1 4 $a The Anima in theatre: Animating a Jungian concept for devisers, directors, and actors.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2016
300 $a 68 p.
500 $a Source: Masters Abstracts International, Volume: 55-05.
500 $a Adviser: Michael M. Chemers.
502 $a Thesis (M.A.)--University of California, Santa Cruz, 2016.
520 $a In order to distill Carl Jung's psychoanalytical theories on archetypes into a format, which can be better understood and used by dramatic analysts and theatre-makers, I explored the Anima archetype and its representations in two plays, Medea (431 BC) by Euripides and The Great God Brown (1926) by Eugene O'Neill. In this thesis, I first define the Anima in Jung's terms and explain how we can find it represented in drama. I then analyze the Anima-inspired conflicts in the two plays in a fairly traditional way, but through a Jungian lens. After an analysis of the use of the Anima in these two vastly different plays, I offer suggestions for the use of the Anima archetype among theatre devisers as well as actors and directors. Lastly, I briefly envision the future of this field of study and encourage others to engage in this style of analysis.
590 $a School code: 0036.
650 4 $a Theater. $3 522973
650 4 $a Theater history. $3 2144911
650 4 $a Psychology. $3 519075
690 $a 0465
690 $a 0644
690 $a 0621
710 2 $a University of California, Santa Cruz. $b Theater Arts. $3 2093330
773 0 $t Masters Abstracts International $g 55-05(E).
790 $a 0036
791 $a M.A.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10140291