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Women's textile graffiti: An aesthet...

Woodhouse, Diana.

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Women's textile graffiti: An aesthetic staging of public/private dichotomies.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Women's textile graffiti: An aesthetic staging of public/private dichotomies./
Author:	Woodhouse, Diana.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:	218 p.
Notes:	Source: Dissertation Abstracts International, Volume: 77-11(E), Section: A.
Contained By:	Dissertation Abstracts International77-11A(E).
Subject:	Communication. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10137969
ISBN:	9781339935805

Women's textile graffiti: An aesthetic staging of public/private dichotomies.
Woodhouse, Diana.

Women's textile graffiti: An aesthetic staging of public/private dichotomies. - Ann Arbor : ProQuest Dissertations & Theses, 2016 - 218 p.

Source: Dissertation Abstracts International, Volume: 77-11(E), Section: A.

Thesis (Ph.D.)--Southern Illinois University at Carbondale, 2016.

The cultural performance of textile graffiti dramatizes women's contested relationship to the public/privates dichotomies that constitute neoliberal capitalism as well as liberal democracies. Across both of these institutions, privatized matters are problematically excluded from political consideration, and private sphere values---such are nurturance, interdependence, and communalism---are denied their necessity and legitimacy as public goods. Textile graffiti artists furnish an association between public and private life by placing signifiers of domesticity and caregiving onto the public streets, and adorning those nurturant signifiers with political and/or feminist messages. In so doing, textile graffiti functions to politicize caregiving, to highlight its gendered dimensions, and to remind city-goers of caregiving as a public issue and a public good that is necessary to the overall health of a functioning liberal democracy. This study explores textile graffiti from various political, aesthetic, and historical angles in order to situate it within an enduring feminist struggle to re-imagine public/private binaries through valorization of the artifacts, values, and communicative practices that are associated with the private sphere of the home.

ISBN: 9781339935805Subjects--Topical Terms:

524709
Communication.

Women's textile graffiti: An aesthetic staging of public/private dichotomies.
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245 1 0 $a Women's textile graffiti: An aesthetic staging of public/private dichotomies.
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300 $a 218 p.
500 $a Source: Dissertation Abstracts International, Volume: 77-11(E), Section: A.
500 $a Adviser: Nathan P. Stucky.
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520 $a The cultural performance of textile graffiti dramatizes women's contested relationship to the public/privates dichotomies that constitute neoliberal capitalism as well as liberal democracies. Across both of these institutions, privatized matters are problematically excluded from political consideration, and private sphere values---such are nurturance, interdependence, and communalism---are denied their necessity and legitimacy as public goods. Textile graffiti artists furnish an association between public and private life by placing signifiers of domesticity and caregiving onto the public streets, and adorning those nurturant signifiers with political and/or feminist messages. In so doing, textile graffiti functions to politicize caregiving, to highlight its gendered dimensions, and to remind city-goers of caregiving as a public issue and a public good that is necessary to the overall health of a functioning liberal democracy. This study explores textile graffiti from various political, aesthetic, and historical angles in order to situate it within an enduring feminist struggle to re-imagine public/private binaries through valorization of the artifacts, values, and communicative practices that are associated with the private sphere of the home.
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