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The aesthetic culture and splendor o...
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Albaheth, Bayan.
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The aesthetic culture and splendor of Arabic calligraphy within determined identity.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The aesthetic culture and splendor of Arabic calligraphy within determined identity./
Author:
Albaheth, Bayan.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:
37 p.
Notes:
Source: Masters Abstracts International, Volume: 55-06.
Contained By:
Masters Abstracts International55-06(E).
Subject:
Fine arts. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10129943
ISBN:
9781339878072
The aesthetic culture and splendor of Arabic calligraphy within determined identity.
Albaheth, Bayan.
The aesthetic culture and splendor of Arabic calligraphy within determined identity.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 37 p.
Source: Masters Abstracts International, Volume: 55-06.
Thesis (M.F.A.)--Indiana University of Pennsylvania, 2016.
My premise in this thesis is that there is a circular link between art, culture, and identity, and this link allows for the transmission of meanings and messages from the artist to the larger society. I examine the identity of Arabic calligraphy as a central element for expressing and representing the particular taste of historical values of our visual cultures. Having demonstrated that art is a mechanism by which culture and identity are portrayed and publicized, I turn to a consideration of what meanings and messages can be brought forth through their interplay. I investigate the relationships within and between art, culture and identity using theoretical principles drawn from cultural studies, art history, deconstructionist theory, and Islamic cultural studies. Visual culture mediates social contacts, influences personal identity, and inaugurates hierarchies of values. The field of visual culture is concerned with seeing and the image; it is particularly associated with information shared, pleasure received, and modes of consumption by people in interaction with visual practices.
ISBN: 9781339878072Subjects--Topical Terms:
2122690
Fine arts.
The aesthetic culture and splendor of Arabic calligraphy within determined identity.
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My premise in this thesis is that there is a circular link between art, culture, and identity, and this link allows for the transmission of meanings and messages from the artist to the larger society. I examine the identity of Arabic calligraphy as a central element for expressing and representing the particular taste of historical values of our visual cultures. Having demonstrated that art is a mechanism by which culture and identity are portrayed and publicized, I turn to a consideration of what meanings and messages can be brought forth through their interplay. I investigate the relationships within and between art, culture and identity using theoretical principles drawn from cultural studies, art history, deconstructionist theory, and Islamic cultural studies. Visual culture mediates social contacts, influences personal identity, and inaugurates hierarchies of values. The field of visual culture is concerned with seeing and the image; it is particularly associated with information shared, pleasure received, and modes of consumption by people in interaction with visual practices.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10129943
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